Doctor Who - 6.10: "The Girl Who Waited" Review

The Doctor takes Amy and Rory to a world of beautiful sunsets but all they get is a white room and Amy being quarantined for an eternity. The Doctor spending this episode conducting proceedings from the confines of the TARDIS.

The Doctor (Matt Smith) takes Amy (Karen Gillan) and Rory (Arthur Darvill) to Apalapucia, a world of sunsets, but Rory comments there are only white doors everywhere.   Amy needs her phone to take photos and the Doctor thinks it's for Twitter updates - so he's familiar with Twitter.   Of course Amy gets separated this time.   The Doctor suggests Rory pushes a button and he selects the green anchor.   There's a giant magnifying glass in the room (well there were giant scissors last episode.)  Rory also tells Amy to push a button but not which one.   Why'd she go for the red waterfall?  The Doctor finds Amy but only through the "looking glass," well magnifying glass.   A robot with hands welcomes Rory and the Doctor.   The Doctor comments "Time's gone wobbly."  Doesn't it always, time's just like jelly.

Amy's been here a week already.   The Doctor tells her it's the same room but different times, two time streams are running parallel and Amy's in  a much faster time stream.   The robot sees with it's fingers.   Was the red to signify danger perchance?  Rory pushes the red waterfall button but doesn't find Amy.  But the Doctor just said she's in a different time stream so she wouldn't be there.   Though he manages to get back to the Doctor.

The robot mentions Chen 7 disease and "the one day plague."  Rory asks if "you get it for a day?"
Doctor : "No, you get it and then you die in a day."  The Doctor covers his nose and so does Rory, and Amy will too.   They must remain in sterile areas.   The Doctor's safe if the area is sterile, it affects two-hearted races such as Time Lords.   They can watch them live their whole lives in a day.   Rory: "Watch them grow old in front of their eyes - that's horrible."
Doctor: "No Rory, it's kind." They have a choice to sit by their bedsides and watch them die, or they can watch them live for 24 hours.   The Doctor reassures Amy he won't leave her.    He pulls up the magnifying glass and takes it back to the TARDIS to get a lock on her and then he can use the TARDIS to get her out.   She should leave a sign for him.   He warns her the robots don't know she's immune so she must reject anything they try to give her. "Their kindness will kill you."  Yes the robots were like kindness killing them.

He finds a glasses-cam for Rory, who exclaims the Doctor looks ridiculous.   Doctor: "Glasses are cool."  Hasn't he worn glasses before anyway.   It's a 'Rory-cam' for Rory so the Doctor can monitor what's happening.   He needs to smash through a timewall which isn't easy.  A robot scans Amy and she's carrying bacteria and tries to inject her, uttering "This is kindness."  Amy hides in some fumes where the robots don't detect her presence.   The Doctor locks onto Amy's timestream.   Rory gets out of the TARDIS into the gallery and stares into the bust of a statue.   Doctor: "eyes front soldier."  Amy speaks with the Interface (Imelda Staunton) who tells her she can go into the entertainment area.  Amy chooses the garden.   Amy: "You really could spend a lifetime in here." Ironically, she will.   More robots approach and she locks their hands together to make them touch so they knock each other out.   Some kind of a '60's retro feel to this show and the music too.   Amy leaves a message/sign on the door; "Doctor I'm waiting" with an arrow.

The Doctor overlaps 40,00 timestreams.   Rory wonders if they're happy.   Rory would think of that.   Doctor: "I think they're happy to be alive." He would considering death is nasty, death is sad and something that awaits him.

Rory meets older Amy who waited for him.   Amy's theme from 5.1 plays throughout most of this episode, as it does usually also when Rory's around.   The Doctor thinks the "timestream lock might be a bit wobbly."  Here begins the 'soppy romanticism' but I liked it.   It was very character orientated for a change.    Amy uses her sonic probe which she made and she survived by making the robots believe she didn't exist, cos she won't really exist.   They didn't save her.   Rory explains this is them saving her now.   She spent 36 years alone and it's difficult to have good thoughts about the Doctor.  Rory looks at her.  "Eyes front soldier."  She hates the Doctor more than anyone in her life and calls him a "raggedy man."  As in 5.13 when he was her "raggedy Doctor," but not anymore.   She waited a lifetime for him, as she did when she was little, cos little Amelia grew up by the time he returned and now this Amy is older too.

'Ninja' older Amy fights more robots.   Rory tells the Doctor he needs to take the TARDIS back to the right timestream and he replies this is all there is.   Rory cares they didn't grow old together.   She walked in here and she died.   Rory doesn't notice the sign she left on the door, the first time he walks in.   She converted a robot to a pet and called it 'Rory'.   Amy still has her red lipstick but doesn't use it.   She refers to the Doctor as "the voice of God."  Her number one lesson was to survive since no one was coming for her.   The Doctor taught her that.  "Blue Box man flying through space on a whimsy."  Her life is hell and she makes no bones about it.   Amy is still Amy and can vent her anger.   There's no question Amy would survive but it wasn't fair on her to have to do that.

She takes Rory to the garden and the Doctor asks the Interface where the regulator is located.   Amy comments the glasses are ridiculous too.   Rory: "Still anything to beat a Fez, hey."  Amy laughs.   It's the first time she's laughed.   As the Doctor said, "Fez's are cool." In 5.13 and 6.1.   Is the Doctor feeling remorseful? He tells her, "There's still time Amy, there's still time to fix everything." Can't help thinking he was referring to himself too, or trying to reassure himself there's time for Amy, so there'll be time for him to fix things too.

Amy saves Rory from another robot and it's 'kindness'.   Doctor needs to work out how to fold two points of Amy's timeline with the temporal engine.   Amy refuses to be saved.   Rory notices the 'sign' she left for the Doctor now and shows it to him through the magnifying glass.  Amy waited but if she's rescued she'll cease to exist, at least the older Amy will and she'll die.   The Doctor could take this Amy out, but he says "our" Amy will have to wait 36 years to be saved.   So that means she'll grow old again waiting for them to rescue her.   Rory: "So I have to choose."  Rory blames the Doctor, "this is your fault." He doesn't want to travel with him and throws down the glasses.   The Doctor hears 'their' Amy crying.   Rory sees her through the magnifying glass and older Amy won't help her.   He shows her Amy through the glass, they left her here.   Younger Amy is adamant Rory would never do that - but she stopped him, "the older me."  Younger Amy says three words will change that, "what about Rory."  She didn't call the robot after the Doctor or their cat Biggles, but Rory.   They recall Rory saying he was in a rockband and getting a weird haircut.

His personality is written all over his face.   "Rory's the most beautiful man I've ever met."  Amy tells older Amy "to do it for him."  "You're Amy, he's Rory."  It's like Amy and Rory's love story being played out here.   The Doctor believes, "Sometimes knowing your own future is what enables you to change it, especially if you're bloody minded, contradictory and completely unpredictable.   If anyone can change pre-destiny it's your wife." Thus he'll be able to save himself - unless Amy's the one who's going to save him going on his statement, cos he's describing himself too.   Mind you, the pre-destiny and wife line could mean something altogether different.   Like River Song (Alex Kingston) being the one to save him.   Well we know how cagey these episode titles can be sometimes, having a hidden underlying meaning, like The Doctor's Wife or Let's Kill Hitler; or the final episode to this season.

Rory always has her back and older Amy wants to leave in the TARDIS too.   Rory asks if two Amy's together can work.   The Doctor replies it's his marriage and then says maybe "the TARDIS could sustain the paradox."  He needs a signal from the two Amy's, share a thought powerful enough to get through time, so that both Amy's will be in one place.   They say, 'Macarena'.   Rory: "Our first kiss." The Doctor tells Rory to swap the valves over and to throw several levers.   Rory gets temporal feedback and he's on his own now.   Amy 1 should speak first.   Then they quibble over who Amy 1 is.   The Doctor asks the TARDIS what 'nasty Amy's' done to her.   Knew one of them would get left behind, viz, older Amy since she's the one who's meant to die and cease to exist (Like the Doctor in 5.13).

Rory wants older Amy to stop flirting with him.   She's known him her whole life.   They fight the robots and Amy is touched by one and is put to sleep.   Rory carries her into the TARDIS.   The Doctor locks the door.   She can't come with them.   Oh that was mean after everything she did to save them and get them here.   Doctor: "I lied to her."  The paradox in the TARDIS won't sustain her.  There can only be one Amy so which one does he want.   The older Amy will never have existed as if he's willing him to choose their younger Amy.  Rory: "This isn't fair, you're turning me into you." For all the times, all the choices the Doctor's had to make and he gets angry when he can't make the choice for himself, like he did with Amy in 5.2.

Amy speaks to Rory from outside and the way he looked at Amy when he carried her, was the way he used to look at her.   She'd forgotten how much he loved her.   She tells Rory not to let her in cos she'll fight.   They forgot Rule number 1: The Doctor lies.   But he genuinely felt sorry for what happened, since she was still Amy.   She's giving Amy the days to be with Rory.   Older Amy asks the Interface to show her earth and the robots get her.   The Doctor promised he'd save her and he did cunningly not answering Rory's question about not knowing if the two Amy's together would work - saving them both.   Does the Doctor regret what he had to do.   Also can't help wondering what he was thinking in the final shot of the episode.

An improvement on last week's episode.   Pure emotion in this one with life changing decisions to be made and Rory had to make them this time round.   A moving episode and the ending, as said, was inevitable, it was seen coming.   Karen's performance was passionate and compassionate and utterly believable, especially as the embittered older Amy, who waited 36 years.   A lifetime, for the Doctor, for Rory, to be rescued.   She never had to wait this long before for the Doctor.   It's also possible to imagine that without Rory, Amy would still have become that embittered older version of herself, or was it circumstances that drove her to it, and loneliness.

Who knew Rory could play such a hero - twice over.   Once as the centurion who never let the Pandorica out of his sight when Amy was in it and now.   A great performance from Arthur too having to makes choices and his outburst of becoming like the Doctor, who always has such choices to make.   But as said they're his choices and no one else's and Rory being in that unenviable position of not being able to choose.   He wanted to save both Amy's and it was left to Amy herself to convince him not to do this.   That she was making the ultimate sacrifice by letting her younger self grow old with him.   Again Rory didn't have to choose, it was Amy's choice!

The opening was likened to the episode The Mind Robber from 1968, with Patrick Troughton, with Matt Smith having to remain in the TARDIS and giving a similar performance to him.   Even though he was confined there, he still managed to give a poignant portrayal with just that look Matt Smith has the knack of giving.   Portraying an emotion with a look, it's eerily sad and emotional.   Karen can now see how she'll look when she's older.   Amy has already been in contact face to face, with her younger self in season 5 episodes, Time and The Big Bang; though not simultaneously in the TARDIS.   Rory as we know has been deleted from existence, most recently in season 5.9 Cold Blood.   In the past, the TARDIS has sustained two Doctors, in the episodes The Three Doctors; Time Crash.   Also there were two Amy's, two Rory's and two eleventh Doctors in the TARDIS in the episode Time.  River told Amy that the Doctor lies twice in season 5 in 5.13 and was said in 5.12 too.   The Doctor said it himself in 6.8 Let's Kill Hitler.

CSI: Miami - 8.16: "L.A." Review

Jesse's past comes back to haunt him from his time in LA and he is labelled a dirty cop. Horatio has to help him out, whilst taking down the bad guy in Jesse's life, who killed his wife.

There's a party at Tony Enright's (Paul Blackthorne) mansion and one woman is attacked, Jesse's (Eddie Cibrian) 'friend' Anna, (Mini Anden) whilst another is killed inside.   Nosferatu (1922) plays on TV.    Horatio (David Caruso) knows who Tony is and what he did in LA.  (Hence the title.) Tony was acquitted of his wife's murder.   He has ink on his hand and the woman was killed with a pen.   He's a pornographer.   Horatio: "Well then roll credits, that's a wrap."  Walter (Omar Miller) wonders what kind of  party this was.  Calleigh (Emily Procter) checks out the murder weapon.   Walter finds a bug, someone listened in to the murder.

Anna tells Natalia (Eva Larue) the Vic was in Tony's films.   Natalia recalls Anna from before.  Anna doesn't see Jesse as a friend and says he stalked her all the way from LA because of Tony.  But that was for her own good.   Jesse angrily retorts Tony "kills every girl he gets close to."  Horatio threatens to arrest Tony.   Coop (Michael Madson) reminds them he played for the Miami Dolphins.   He refers to Jesse as 'Johnny Hollywood' and accuses Jesse of being a dirty cop.   Jesse tells Horatio not to let Tony get away with it.   That should apply to Coop too, cos he's so damn shifty and slimy.   Jesse tells Anna she was roofied and she screams for Jesse to go away.

ME Tom (Christian Clemenson) finds Leslie, (Kristina Klebe) the Vic, wasn't roofied.   Ryan (Jonathan Togo) believes she stumbled upon the sexual assault.   Calleigh calls the fountain pen she was killed with a weapon of opportunity and Coop's prints are all over the pen.   Calleigh is "dead serious."  Coop was a dead giveaway as a suspect, the way he lusted after Anna in the beginning, so much for wearing a mask.    Ryan knows Coop did it, who accuses Ryan of being a killjoy.   Coop was signing autographs all night (they must've been desperate!)  He berates Ryan  by calling him "little man" and "pintsize."  Ryan replies he's 5' 9."   Coop responds, so are his pants.   Did he really have to say anything back to Coop, it was obvious he was just pushing his buttons, like calling Jesse, 'Johnny Hollywood'.    Dave (Wes Ramsey) analyzes the bug to find it's Soviet made and is a laser microwave transmission unit.   The signal is traced to their own garage.   Calleigh just had to check it out, since it was apparent the bug was planted by none other than Jesse.   So where'd he get a Soviet made bug from.

Jesse was about to link the recording, he planted the bug 8 days ago and he doesn't know if he caught the murder on there.   He didn't break in, but walked in during a party.   Tony is a murderer.   Jesse thinks of his wife, Tracy, everyday when he sees his face.   Calleigh says if Jesse's right then she'll help.   Actually it was Horatio who helped Jesse clear his name.   She helped put Tony away.    Walter listens to the recording and says it's Leslie on there and a man's voice.   Rebecca (Christina Chang) won't use the tape in front of a jury and says that Jesse will still be dirty since the evidence disappeared in the LA case.   Horatio didn't fire Jesse as he's a member of his team.   Rebecca is determined to reject any evidence Jesse will bring in so Horatio says he'll have to clear his name.   Horatio is accompanied to LA by Delko (Adam Rodriguez).   In what is reminiscent of having Horatio look out over the Miami skyline, he now looks out over the Hollywood sign as a backdrop.

Horatio waits for Captain Sutter (William Forsythe) who tells him Jesse was the primary on the Enright case.   Don't know about you, but he was my suspect as soon as I saw him.   Horatio needs Jesse's file.   Delko goes over the file.   The evidence shows Tony murdered his wife.   Jesse photographed the cufflink but it didn't show up in evidence.   It had the initials, 'A.T'.   The case was covered on TV.   Jesse is questioned by Tony's defence attorney, Darren Vogel (Malcolm McDowell) who tells him those aren't Tony's initials.  He asks whose blood was on the cufflink, but Jesse doesn't know.

 Vogel refers to the cufflink as important evidence but Jesse doesn't know where it is.   No wonder Jesse went back to Miami after this and Horatio took him back.   That must have been a fight, especially if he was accused of being a dirty cop.  Question being if this was such a high profile case, which garnered media coverage, why did none of the CSIs in Miami know anything about it.   Jesse's been on TV, so everyone's seen his face, aside from Miami criminals, it appears, as no one recognizes him, not even the hostage taker in the second episode, Hostile Takeover.  Apparently Horatio is much more famous as far as TV coverage goes!

Natalia tells Anna there's evidence of forcible sexual intercourse, but no evidence from the male donor who used a condom.   She won't believe Tony had anything to do with this.   Natalia relays her thoughts about her own husband and how she'd always defend him too.   She gives Anna her card.   Dave sets up a meeting via a secure line.   Jesse assures Horatio he never took the cufflink.   Dave puts the cufflink through image recognition software which is much newer and finds the jeweller who took orders for those cufflinks.   A pair was bought by Vogel a week before the murder.

Horatio determines Vogel's gift is planting evidence and threatens to personally drive him to Chino if he plants anything else.   Ryan is intent on catching Coop, well after being called short names by him, that riled him up.   Calleigh thinks perhaps it will help if they go inside the print and break down the chemical compound; which shows up a silicone based compound and lambskin, found on a condom.   Ryan tells Coop of the unique chemical signature, providing evidence of the  type of condom Coop uses.   Coop refers to the lambskin, giving himself away, since no one mentioned anything about lambskin.   Only the killer would know.   Coop admits Tony told him Anna would be willing and he was fed up of her.   Leslie tried to stop him.   Tony roofied Anna.

Calleigh offers to give Tony her phone to call a lawyer.   Tripp (Rex Linn) says they can tie tony to Leslie's murder.   Coop sold him out.   He'll be charged with felony murder.   Tony uses his magic word, "Cardoza." That any evidence he comes across will be tainted.  Calleigh replies he's wrong.   Horatio looks over the LA CS photos and notices the same woman in all of them.   She has a camera and a press pass, Olivia Birch (Sheri Moon zombie) who gives them her photos of the CS.   Horatio calls the Captain and tells him of Jesse's clean policework.   Now he's going to find out if the Captain's clean.   Olivia still has her negatives and Horatio notices the Captain bending down and removing the cufflink from the evidence marker.  

Horatio meets him at the Hollywood Bowl and comments the Beetles played here.   The Captain likes his privacy.   He let Jesse take the fall.   Horatio wants him to come clean.   The Captain knew Tony killed his wife and when he saw the cufflink he knew his lawyer would get him off, so he took it.   Jesse had already taken photos of it and he didn't know Jesse's wife would get murdered, probably by Tony.   He keeps the cufflink with him.

The Captain apologizes to Jesse via the media.   He's an example of what officers should strive for.   Anna spits on Tony through the glass and leaves a 'Thank You' note for Jesse.   The Captain clears Jesse's name and reputation.   Horatio wants Vogel out of Miami.   Jesse thanks Horatio who states Jesse would have done the same for him.

That was nice of Anna after he was looking out for her, all she could do was just leave him a note and couldn't even say sorry to him in person either.   She just walked off.   Was Natalia trying to come to terms with what her husband did to her by telling Anna of her ordeal.   She seemed a little peeved at Jesse turning up in the beginning when she was questioning Anna, willing him to leave just as Anna did.   Probably still harbouring those feelings after being stood up by him.   So the Jesse storyline was finally laid to rest but not very convincingly.   Like those loose ends that I mentioned already, such as no one knowing what Jesse had been involved in over in LA and how he was suspected of being a stalker when he came to Miami.   Also how thought he might have been a dirty cop, at least Calleigh had suspicions about him for a while.   Which is exactly what he was accused of being in LA.   Yet again no one in Miami knew of this.  

Why did Tony have Jesse's wife killed, was it because he was getting too close to him in the investigation, hoping Jesse wouldn't come after him.   But killing her made Jesse even more determined.   Tony moved to Miami with Anna, so this was probably another reason why Jesse also returned to Miami

Supernatural - 1.5: "Bloody Mary" Review

Sam and Dean investigate the Bloody Mary legend as Dead bodies pile up. Sam suffers from nightmares about Jess, before being subjected to the wrath of Bloody Mary herself, along with Dean.

Toledo, Ohio.   Girls dare each other to say "Bloody Mary" whilst looking in the mirror.   Bloody Mary is meant to appear and scratch out the eyes of her summoner.   One of the girl's father is killed when he returns home.   A woman appears in the hallway mirror of their house before he is killed.

Sam (Jared Padalecki) dreams of Jessica (Adrianne Palicki) she says, "Hi Sammy."  He's having a nightmare.   Sam and Dean (Jensen Ackles) both look into the death and Sam pays off a morgue attendant for info on the deceased.   Money, which Dean comments, he earned.   Sam: "You won that in a poker game."  Same difference, ha!  Dean asks if any exploding eyeballs were seen.   Someone had to mention this eventually.   Dean then asks Sam how many times Dad (Jeffrey Dean Morgan) has come across something which is really a supernatural occurrence and not some other, normal event.

They question the man's daughter, Donna (Kristie Marsden) under the guise of working with her father.   She believes he died because she said "Bloody Mary" three times and she took his eyes.   That's why Dean was asking about popping eyeballs.   Sam talks of the Bloody Mary legend and whether Dad found any evidence to support its existence.   Dean knows children play it everywhere but no one has died before.   Sam says it's usually the person who says her name three times who dies.   Sam's exposition of the legend follows, about Bloody Mary being a witch or mutilated bride.   It's always a woman named Mary who dies before a mirror.  They go to the library for research, what happened to Sam's faithful computer.

Jill (Chelan Simmons) talks to Charlie (Marnette Patterson) in front of her mirror and feigns being attacked by Bloody Mary.   After she hangs the phone up, she's really killed.   Blood pours from her eyes.   Sam dreams of Jess again and berates Dean for letting him fall asleep.   Dean let him sleep, cos he's an "awesome brother."  Sam jokes he dreamed of candy canes! So that's how he sees Jess (joke.)  He doesn't tell Dean yet that he's been having these nightmares for a while.   Charlie calls and they check out Jill's room.   Dean asks Sam, "Do I look like Paris Hilton?"  An apparent in-joke as Jared starred with her in the movie House of Wax (2005).   Before she went on to make an appearance in the show in season 5.

Sam alludes to the first victim not calling Mary, but the second one did.   Dean: "Someone's gonna say it again, it's just a matter of time." Yeah, that someone being Sam!  Sam spots a handprint on the back of the mirror.   Gary Ryman was killed in a hit and run and Charlie tells them Jill was driving the car.  Linda Shoemaker is another name on the mirror, she was Charlie's mother and died of a pill overdose.   Sam wonders if Mary is haunting the town, or maybe she died here.   Dean makes the connection when he says that both the victims had secrets.   Sam mentions the lore where mirrors are seen as "a reflection of the soul" and can reveal secrets.   Thus it's bad luck to break them.   Dean adds Mary sees the secret and punishes you for it; irrespective of whether you summoned her or not is what Sam thinks.

Dean comes across the murder of a Mary Worthington in Fort Wayne, Indiana.   The detective (William S taylor) who investigated tells of the killing of a woman whose eyes were cut out with a knife.   She was killed by Trevor Sampson, a surgeon.   Her mirror was returned to Mary's family.

Donna says Bloody Mary three times in the mirror and she sees Mary in the window.  Charlie sees Mary in her mirror compact and in the reflection of the doors.   Mary's mirror was sold to an antiques store in Toledo.   All that travelling just to return to Toledo again.   It's concluded that wherever the mirror goes, Mary goes.   Dean reckons Mary died in front of her mirror so her spirit was drawn into it.   Sam poses the question of how Mary is able to move from mirror to mirror; but alas that question isn't answered for us.   I could theorize but don't want to bore!  Ha.  

Charlie calls again and they keep her in a room, ensuring all mirrors and reflective surfaces are covered up.   Her secret was breaking up with her boyfriend and he threatened to kill himself, she told him to go ahead and do it, so he did.   Sam states they need to summon Mary to her mirror and smash it.  Sam volunteers.   Dean stops the car.   It's about Jess.   Dean: "Do you think that's your dirty little secret, that you killed her somehow."  He advises Sam to stop calling out her name and having the nightmares, as they'll kill him.   He should blame who took her away from him, or the thing that killed her.   But Sam doesn't blame Dean for Jess's death.   Sam could have warned her.   But how.   Would she have listened to him or more importantly believed him.  Sam doesn't tell Dean everything.

Sam breaks in this time, usually it's Dean, triggering a silent alarm.   Sam says "Bloody Mary" three times and waits.   Dean must deal with the cops telling them he's the Japanese owner's son.   He was adopted.   Sam's busy smashing mirrors inside the shop but no one hears him.   His reflection bleeds from his eyes and so does he.  "It's your fault, you killed her, you killed Jessica...you never told her the truth, who you really were...those nightmares you've been having of Jessica dying, screaming, burning, dying, you had them for days before she died...how could you leave her alone to die..."  Dean smashes the mirror.   Mary comes out of the broken mirror after them.   Dean holds the mirror up to her, Mary's reflection in the mirror tells her she killed them all...

Sam tells Dean in the first of many times, to stop calling him "Sammy." Yeah that'll happen.   Question: why was Dean also bleeding from the eyes, what was his dirty, little secret?  If Sam's was keeping the secret about causing Jess's death.   He felt guilty since he didn't tell her what he used to do, hunt demons etc.   He feels he could've warned her, but how could he.   He didn't know what was about to happen.   Even if he did, he didn't know what or who.   Since dreams are only dreams  and they don't necessarily come true.   Unlike Sam's premonitions, which is what they are but we're not meant to know that just yet.

This story was by Eric Kripke, delving into legends and lore which he loves to do.   A bit scary, or should that be gory, at times.   Remember don't say her name three times for yourself, at home! And no daring either.

Castle 2.10 One Man's Treasure Review

A woman disposes a box down a rubbish chute and a DB drops down.  Castle (Nathan Fillion) flies his toy police enforcement helo annoying Martha (Susan Sullivan).  Castle comments how Alexis (Molly Quinn) hasn't learned to forge his signature on permission slips.  She only forges his credit card.  Beckett (Stana Katic) wants Alexis to volunteer at the station.

Lanie (Tamala Jones) IDs a single GSW to the chest.   Castle can't stand the smell as he has an acute sense of smell.  Could say he has an acute sense of everything!  Lanie always showers before a date, Castle could time it for her.  Ryan (Seamus Dever) looked like he was at home in the dumpster, at least he dived in.  The DB was Sam Parker.  Esposito mumbles the DB was discovered by a hottie.  Castle comments about the killer cleaning up after himself as it's all very American Psycho.  Castle can comfort if she's distraught.

Castle makes coffee for Beckett, "big Castle likes to get in the way."  Sarah (Abigail Spencer) IDs the DB, she's not the wife but the fiancee.  Esposito is distraught, ha, "he doesn't make me coffee."  Beckett comments how it's not easy breaking such news and Castle and Captain Montgomery (Ruben Santiago-Hudson) are both interested in there being a wife and a fiancee.  Castle: "Isn't it delicious?"  He could get mileage out of that one for more books.  The fiancee met Sam six months ago at work.  He spent the weekends with his wife.  He always answered his phone.  Ryan comments how his girlfriend freaks out if he doesn't check in every hour.  Esposito backs up Ryan doing this and sometimes even more.

Beckett asks if he was through with marriage, he was Jake before he met Sarah.  Castle says two wives don't add up for him.  It's 'two wives too many.'  The common denominator is him.  Alexis dresses like Becket.t  Martha is "still waiting for that moment" when Castle is all grown up.  Alexis is sent to work  logging property.  Castle used to worry about Alexis all the time and hid in bushes all day when she was in pre-school.  The Captain followed his son's bus.  Beckett wonders if that was creepy or sweet.  At least they cared about their children.

Sam had a wallet and a double-sided picture frame.  Voicemail left on his phone from his wife's brother, Charlie (Alex Skuby).  Sam owed him money.  Castle says he earned less at his new job.  Beckett: "never underestimate the fragility of the male ego." Castle will "ignore her and she'll lose her witchy powers."  She searches for her broom.  His new employer Carlberg (DB Woodside) who was my suspect, checked his references but all the phone numbers are gone.

Alexis finds a photo album and wants to find the owner.  Castle keeps his photos on his phone and what happens when he loses his phone.  Which reminds me he doesn't take snaps at the CS anymore, has he grown out of that or can't be bothered anymore?!  Sarah recalls Helen watching her apartment outside in the silver Hybrid and she called her for her grandfather's pen.  Helen (Perrey Reeves) thinks Sarah made it up.  Esposito discovers Connecticut Solutions lost shares to NY Recycle due to new technology.  They found a new way to recycle battery fluid.  The phone numbers belonged to Connecticut Solutions.  They wanted Sam to get hired as he was a corporate spy.

The forensic IT man finds chemical equations on the harddrive.  Sarah feigns Jake was acting.  Andy (Matt Champagne) the CEO of Connecticut Solutions sent emails to Sam and sent him in as a spy.  He called him when he was killed.  Castle didn't mean to rub Beckett up the wrong way, so there's a right way to rub her up?  He didn't meant to sound dirty when he and Esposito were talking about the chick fight.  Ryan tells Castle to take photos of the cat fight between Helen and Sarah and he didn't even do that either.  Sarah takes the pen.  Beckett says Sam didn't have an ulcer but had doctor's appointments which is what Sarah told them.  Castle crosses his fingers hoping there's another woman involved.  Photos are found of the Long Island house and the NY Recycling plant and Newport.

Castle makes cocoa for Alexis and gives her a clue to finding the recipient of the missing album. When he  says she'll retire from law enforcement and he'll always be here. Sarah thought she had one over on Sam but he knew about her.  She has an alibi.  Castle comments about women leading men on, well they do that all the time, men that is.  Castle mentions her alias bubble, as he hates to say it, Sam was faithful to his wife.  Was he talking about alias as in Sara's ID or as in the TV show Alias.  Cos that was all about secret IDs.  They check Sam's office and find shredded paper so he had a ribbon shredder making it easier to put the documents back together.  Castle sits back and "writes a scene."

Captain says the plant wasn't processing battery fluid, it was switching labels and dumping it.  Castle says Sam was Erin Brockovich and the gun was found in the dumpster.  Carlberg should have recycled it.  Said it was Carlberg all along.  They tell Helen about Sam's work and Alexis finds the album owner.  Beckett talks of how this is important when a person loses someone.  Always a reference to her mother.  Castle says Alexis is a chip of the old block but Beckett doesn't answer.

Much as I like this show and I do, think there's a little too much 'playing for laughs' involved, which was abundant this episode.  Castle playing with the helo in the opening, much like his Guitar Hero antics just shows how a little too young at heart he is which Martha points out; about waiting for him to grow up.  That's fine but there seems to be a lot more of that this season.  But watching him and the Captain being so protective of their children it's easy to forgive Castle for his juvenile antics, at times.

Yet more film name dropping from Castle and his reference to Alias.  I like to think it was a reference to the show, a homage; considering that was all about aliases and convoluted plots which some found difficult to follow.  Not that it was, just this episode of Castle was easy to follow.  Knew who the killer was and it didn't hurt  Nathan and DB got a 'Buffy' reunion happening.  DB as Principal Wood was out to kill Nathan as Caleb in that as we recall.  Beckett reminded me of a school 'marm,' ma'am, trying to keep her boys in line.  Alexis's storyline was to remind of Beckett's mother and her wearing that leather jacket made her look like a mini Beckett.  How important it is to get closure for loved one's in such terrible times of loss.

Helen Shaver directed this episode and not seen much of her since Poltergeist: The Legacy.  Matt Champagne was in Angel, Happy Birthday.  Lanie is back this episode.  Perry Reeves was in X Files ep  3 where Mulder fell for her 'vampire' character of Kristen.

Lie To Me - 2.4: "Honey" Review

Cal exchanges himself for a hostage in place of Ria, as the team have to find out who killed the hostage taker's wife. Cal and Gillian get that one more step closer.

Cal (Tim Roth) is at a Lovematch Connections singles mixer and this was a funny opening to the show so far, as we don't know why he's there.   As he's also single he may be on the look out to meet other women, but we also know that's not really his forte.   Also his heart really lies with Gillian (Kelli Williams).   He pretends to be a furrier to ward off the woman who feigns to show an interest in him, more like his Brit accent (which she mistakes for Irish!)  He meets another woman and asks if she was in a hotel room what would she order, chocolate cake, strawberries or warm honey.   (The answer being obvious.)  She's flustered and walks away.

Gillian calls telling him about the wife killer, Eric Matheson (Garret Dillahunt)who is on the run and the FBI are searching for him.   Cal then meets another woman and in their conversation she admits she has never cheated on her ex.   He leaves to pay his meter as we zoom to Ria (Monica Raymund) sitting in her car with a file on Eric.   Ria visits Eric's sister, Gwen (Karina Logue) in search of his whereabouts and leaves the file on the seat and the car door unlocked.   That was shown for a reason.   Gwen doesn't know how to tell her children their uncle is a killer but Ria senses she's hiding something.   Returning to her car, she finds the file gone. Eric has it in the backseat of her car and holds a gun to her.

Eli (Brenden Hines) and Ben (Mekhi Phifer) are already checking out other leads away from the office.   Eric takes Ria back to the institute at gunpoint.   Cal doesn't want anymore of these cheating spouse cases and Gillian reminds him he paid off his ex wife, but that was so he could keep his daughter here.   Eric separates everyone and claims to be innocent. He doesn't want police involved and Cal substitutes himself for Ria.   Gillian wants Eli and Ben to be called back but not told why.   Cal believes Eric didn't kill his wife, whilst Eric watches the exits on the computer screens from Cal's office.   Ben insist on calling it in since his job's on the line, but Gillian persuades him to wait.   Well he's always got a job here and as you'll recall from 1.13 Sacrifice, he is practically assigned to the Lightman Group.

Gillian is given the name of Eric's wife's, Connie's boss, Tom McHenry (Sean O'Bryan) and she wants Ben to accompany her to make him talk.   Ben refuses to leave so Eli takes his place and asks for Ben's tie, but he doesn't get his badge.   Ria tells Ben she screwed up, what again?  Tom denies killing Connie and they manage to tape his 'interview.'  Ben suggests Gillian set up the tape in the lab so he can watch them from there.   Cal watches and finds Tom is telling the truth, he didn't kill Connie.   She was after a loan to pay off Eric's debt, $10,00 which he borrowed from a friend.   Cal demands to know the name and Eric finally relents after threatening Cal with the gun again.   Danny (Dean Chekvala) was out of town and he didn't give Eric the money, he just facilitated the loan.   Ben loses his temper and demands to know who was behind the loan.   Ria tells them Danny said Connie was always cleaning up Eric's messes.

Cal asks "Why feel guilty?"  The man who gave the loan is spotted with his buddies outside a bar and Ben wants to call the police cos there's no way they can get him out.   Gillian is adamant Cal will be killed.   She freshens up her lipstick and goes in pretending to need help with a flat.   Now we know why she wore the low cut dress.   She asks him to fix the flat.   Eric feels guilty Connie got involved with his problems.   Cal convinces him to put the gun down and walk away.   He'll tell the police Eric didn't kill Connie.   Just as he's about to oblige, two policemen arrive outside.   One of the employee's called in about a man with a gun and Ria improvizes saying a disgruntled employee who was fired this morning called in a prank.   They check the office and leave after Cal speaks with them.

Ben and Gillian bring in Zancanelli (Billy Smith) and admits giving the loan.   Ria recalls Gwen was hiding something and she tells her Connie came by wanting a digital recorder cos she had a fling with a married man and wanted it on record.   Gillian tells Eric that Zancanelli sexually blackmailed Connie.   Eric demands a confrontation with him, but they refuse and once again he threatens to shoot Cal.   Eli comes up with a plan to impersonate Zancanelli and they all walk into the room with Eric.   Eli tells Eric Connie told him something before she died, giving Ben a chance to get in a shot.   Zancanelli finally confessed to killing Connie.

Cal meets the warm honey woman, Raven (Meta Golding) but leaves, he shouldn't be here.   No, he should be with Gillian.   He apologizes for their argument and Gillian knows what's best for the group.   He asks if he can sleep in her spare bedroom and they finally hug and share a brief kiss.   Oh it's so apparent Cal is so smitten by Gillian, wonder if she can tell?   He turns to her for comfort rather than Raven, under the pretence of checking on Gillian.   It had to be pretence, the emotional looks that passed between Gillian and Cal.   There was also a moment back in the office, when she faced Cal and was in tears.  

Cal getting beaten up again, that makes three thus far, one in season 1's Blinded, then season 2.1 The Core of It.   Deciphering lies clearly comes at a price for all concerned.   Cal actually volunteered to play hostage in place of Ria cos he knew he was better equipped to handle the situation.   What now for Ria and her confidence which seems to be shattered?  She wanted to branch out alone and yet made a serious error.   Even though Ben reassured her it wasn't her fault.   At least she came up with some quick thinking to stall the police.   Wouldn't have pegged Eli as taking one for the team when he comes up with the idea to play Zancanelli, especially since he knew Eric's volatile state of mind and that he was gunning for Zancanelli.  So in his agitated state he could have shot Eli.

Lots of pretense in this episode, playing someone who they're not: Cal in the beginning pretending to be on the look out for single women and ends up actually going for a drink with one of them.   Gillian glamming herself up to seduce the suspect and get him alone, another thing she doesn't do.   Then Eli pretending to be an FBI agent first and then Zancanelli and he's big on not lying.   Although it was understandable he did it to save Cal and everyone else.   Cal kind of shared an affinity with Eric due to the flaws of his own marriage and could understand where Eric was coming from.  

Yet the part where Eli says Cal could just lie and tell Eric Tom is guilty of murder, it was so easy for Eli to say that and as I just mentioned, he doesn't normally go in for lying.   Eli would be justified for saying that here as Cal's life was at stake, but it is also understandable on the other hand to see why Cal doesn't do that. He wasn't willing to turn away from Eric and make him wreck his life even further. He did the same in 1.11 Undercover, when he refused to let the innocent boy take the blame for the killing of a man, just so other lives could be saved in the process, when looking for terrorists.  He refused to hand over an innocent boy.   That's another reason he would follow through with this until the end. It's in Cal's nature and he wanted to get at the truth in the end.   He was just doing his job.

As a rule I don't necessarily condone romances with lead actors in shows, but this is one show where something between Cal and Gillian would be welcomed.    One of the outstanding episodes of the second season thus far.

The Closer - 6.13: "Living Proof: Part One" Review

As the team prepare to leave for their Christmas getaways, a case turns up after an old man is run over by a police car after attempting to kill his son.

A man spots another on an escalator and follows him.   They argue in Albanian, then physically fight and the elder man pulls out a knife and is then pushed in front of an approaching police car.   No one at Major Crimes wants the case as they all have plans for Christmas.   Captain Raydor (Mary McDonnell)  has a family event planned since her father is unwell and this may be his last Christmas.   Brenda (Kyra Sedgwick) believes it's not a murder since the murderer is dead and the Vic was only slightly injured.  The Vic, Armand Marku (Michael Aronou) is interviewed and states the Vic was his father, Shariq (Patrick Faucette) .   Armand married a Christian woman and his father disowned him.   He believes his father got angry when he saw him with Christmas presents.   They are Muslims.  He also has two sisters, but hasn't been in contact with them.

Brenda tells everyone they'll be out of here for Christmas, but since when has anything gone according to her wishes.   She doesn't see it as a murder since he was killed by one of their own cars.   Brenda's parents arrive and she introduces them to Raydor, as her friend.   They're surprised she has a friend but then disappointed her 'friend' is a colleague.   Gabriel's (Corey Reynolds) parents are taking him to Italy.   Fritz (Jon Tenney) isn't happy about them being here, they have news for Brenda.

Pope (JK Simmons) is Acting Chief as Delk is away and he must sort out whose case it is.   He tells them to work together on it.  Tao (Michael Paul Chan) is assigned to help Raydor with the 911 calls, how about collecting video footage of the fight from the witnesses.  Brenda's parents have decided to move to LA.   That's their big news.

Flynn (Tony Denison) has located one of Armand's sisters and she too is dead with her throat slashed.   Her apartment is sparse, there's baloney in the fridge and a dog, things not found in Muslim homes.    A boy outside makes a getaway with the dog, he's her son.   Provenza (GW Bailey) is charged with taking him in.   Morales (Jonathan Del Arco) finds a bullet lodged inside Shariq's back and his daughter has signs of being raped and tortured in the past.   Taylor (Robert Gossett) informs Brenda Child Services want Skander, (Aaron Refvem) the sister's son.   But Brenda tells him he has a relative.

Skander doesn't say much and needs to be medically examined.   Brenda asks him for his gum and gives it to Sanchez (Raymond Cruz) for DNA analysis.   Armand is questioned with his wife, Joan (Margaret Easley) a lawyer and he is upset over his sister's death, then relates their past life in Kosovo.   Everyone was either killed or taken and he survived. His father called him a coward.   There is a code of honour going back centuries.   Armand wants to take Skander but Joan argues over this.   Skander's father is probably Serbian.

Fritz and Brenda agonize over Clay (Barry Corbin) and Willie Rae (Frances Sternhagen) staying here permanently and Fritz thinks maybe he can get a transfer to DC.   Brenda sees they've brought Frosty the snowman with them and she's happy now.   Gabriel reopens the case as he's found ATM footage of Armand's sister and she was still alive when her father was meant to have killed her.   Sanchez doesn't find any records of a boy named Rudy at Skander's school, whom he said he was with, so he's lying.   Joan has a change of heart and is now protective of Skander, what has she got to hide now, changing her tune so quickly.   She says she was concerned for their other children before.   She offers to be his lawyer and they leave with Skander.   Brenda asks Pope to stop them from leaving.   As they enter the lift, Pope grabs Skander and a policeman stops Armand and Joan from coming out of the lift.

Skander is arrested.   That look Skander gave Brenda was pure evil, talk about Damien from The Omen, he'd have given the beast a run for his money.   Raydor has to investigate Skander now and Brenda wants her own questions asked too since Raydor is allowed to talk to him.   Joan is filing a civil rights lawsuit but Taylor says they did nothing wrong and Pope adds he was preventing the lift door from closing on Armand.   Skander lies about being hit by Pope.   Willie Rae makes a passing comment that they don't have to ask him questions they can just spy on his e-mails.   That's what they do to Brenda's niece.

Skander goes online as soon as he's provided with a computer and with Provenza specifically telling him to not go on the Internet.   He e-mails someone called 'Saramed.'  She being the other sister.   He types it's time for the 'blood food'.   Which they think means 'blood feud'.   Gabriel finds  Sarah Miller Marku lives in LA.   Arriving at her house, they too find her with her throat slashed...

More of a Christmas horror episode than the normal Christmas fare.   Yet again about the war in Kosovo and how it affected people.   Lots of possibilities behind who can be responsible for the deaths.   It could be anyone including Armand.   How do they know Armand is who he says he is? He could be a Serbian war criminal playing Armand, who has to kill before he's found out.  Shariq could have recognized him, not as his son, but as a killer.   As is normally the plot twists writers enjoy.   How about Armand's cousin, was he really killed?   Then there's Skander and his connection.

Well not the usual run of the mill episode but as obvious from the outset no one was going to get away and this wasn't going to be an open and shut case either.   Will Brenda's parents end up staying? Some will be pleased as they gladly welcome the food Willie Rae brings them.   At least there were some laughs to be had, which helped to ensure the story didn't become too heavy: Raydor leaving for the airport, changing her flight, coming back from the airport; whether FID or Major Crimes should investigate; Taylor and Pope watching TV and hanging out, not concerned about the lawsuit.   Brenda's parents wanting to stay, being worried, then Brenda finding Frosty.   Gabriel wanting to leave, re-opening the case.   Wow the UK actually got a seasonal episode on time when this episode was aired.

Desperate Housewives - 8.5: "The Art of Making Art" Review

Susan takes a stand against going nude but does it anyway. Carlos starts drinking and Gaby doesn't get on with the PTA women. So much for being coerced into playing president.

Mary Alice: "In their twenty years together Tom and Lynette Scavo followed a few simple rules...always share the housework...and never go to bed angry.   The rules for being together were simple, the rules for for being apart were anything but."  Lynette (Felicity Huffman) doesn't want Tom (Doug Savant) having dinner with Jane.   He's been taking her out to lobster places for dinner, she still gets the credit card bills.   Tom claims Jane lives in his building and so he was being nice. They're just friends.   The counsellor asks if they want to get back together or are looking for a graceful way out of their marriage.   Tom was hoping to work things out and they haven't been happy with each other for a while.   Mary Alice (Brenda Strong) "Tom and Lynette were learning the rules of separation and the first rule, there are no rules."

Mary Alice: "In any group there are roles that people are destined to play...financial wizard...busybody and sometimes the important role of all goes to someone who's not prepared for it."  Gaby (Eva Longoria) is late to the PTA meeting, she's wasted their time going to the spa and they all leave.   Reverend Sikes (Dakin Matthews) visits Bree (Marcia Cross) he's been missing her snacks.   She doesn't feel worthy of God's love right now so he suggests she speak with Ben (Charles Mesure) as he works with the homeless.

Susan (Teri Hatcher) can't stop talking at her art class.   She aims to show Andre (Miguel Ferrer) she has pain.   He gets them to draw the naked male form and she can't stop giggling and smirking like a school kid.   We know what catches Susan's eye. Carlos (Richard Antonio Chavira) can't go into the room where he killed her stepfather. (Wasn't he in that room a few episodes ago?)   He thinks of that night and he doesn't want to be dependent on drink.   Gaby thinks the PTA are jealous of her and Carlos has a drink anyway.   Ben asks Bree what she's done: something she's ashamed of and she asks him the same thing. He replies he wouldn't answer.   His development is being held up by the council.   Bree whisks up her own simple soup recipe for the homeless.

Andre states some are uncomfortable by naked bodies and so next class the painters will go nude  Gaby brings along her beauty team to make over the PTA women and tells them they don't have to be jealous and they agree to help with the food etc.   More fool Gaby for thinking they would.   They're not helping her but themselves.   Renee (Vanessa Williams) thinks she's caught Lynette looking at porn and throws some porn terms at her.   She's actually signed up to an online dating site since she and Tom have decided to see others, well he's decided.   Renee comments Lynette's video is "more disturbing than any porn I've ever seen." She'll take Lynette to a bar.

Susan walks around nude at home, surprised none of the neighbours saw her through her kitchen window.   It's to shed her inhibitions.   Mike (James Denton) thinks Andre is good as he gets to "see naked co-eds and call it work."  Susan isn't a 'naked person.'  What about the stuff she did last season to make money? She was practically naked in her lingerie and falling out of it too.   She's not a serious artist but Mike thinks the class is good for her.   She strips for Lee (Kevin Rahm) who turns up with Bob's mother.

Bree's attracting the wrong crowd at the soup kitchen and the college student has given her a good review online, which appeals to her vanity and pride.   Mike sends Carlos away and says if he had killed someone he would have gone to the police (he didn't do that in the past) and not goad Gaby into covering for him.   He should leave Susan alone.   Carlos finds it's helps to talk to her.  Mike doesn't see it helping her.   Susan turns up to class naked and finds the others dressed.   Andre sent her an e-mail, the school wouldn't let him do that.   Susan vents he just wanted to humiliate her and she quits.   The Reverend points out the homeless are no longer at the soup kitchen and asks where they can go for a hot meal as she's taken their home away.   Bree needs to keep it for the hungry; the place was theirs before she took it away.   Ben wants her to make a speech for him at the council.

Andre comments on Susan's giggling and running away.  She's hiding something and he'll find out what.   Gaby calls Carlos for help as the women refuse to budge.   Carlos is drunk.   Lynette has been through dating and finds it depressing to be back.  Renee agrees, she has Ben and deserts her - nice friend she was and it was her idea.  Gaby is more worried about Carlos embarrassing her and wants him to leave. He drove here in that condition.  Did she really want him to leave the same way?   Cindy (Melissa Greenspan) decides to help and gets the others to as well.  Porter's friend sees Lynette at the bar and she leaves, mistaking a man for a valet.   They go for a drink and later at his apartment, she kisses Scott (Richard Ruccolo )and loses her wedding ring and leaves.

Bree impresses at the meeting and she doesn't even know where the development is yet.   Mary Alice: "We all think we are destined to play a certain role but sometimes those roles can unexpectedly change...longtime wife confronts a harsh new reality...a woman also wanted to do a little bit of good might find herself playing a role she never expected." This episode was quite a borefest, no really it was all done before.   Susan and her naked inhibitions, but it's okay to cover up a crime even if it was only an accident at the time.   Bree making everything about her as always and taking things over - like she did with Danielle last episode.   Carlos getting drunk now of all times just as though he couldn't talk to Susan. Why go to her house?  He turns to drink instead of talking to Gaby who is too busy as usual to see his pain.   It was her stepfather after all.   Perhaps Bree and Carlos should have shared as she's turned to the bottle before.

Tom and Lynette reaching the same impasse.   Bree sticking up for something she knows nothing about was really not like her, driving the nail further into reinforcing her destiny.  Why didn't Gaby call someone else for help setting up the hall for the PTA?  She can afford it.   Also Cindy deciding to help after seeing Carlos drunk, showing Gaby has a human husband after all, unlike Gaby who didn't really have any emotions or the slightest bit of humility in her.

CSI: Miami - 8.15: "Miami, We Have a Problem" Review

The CSIs investigate a body which appears to have fallen out of the sky, but come across a more dire and shameless, callous conspiracy between all those involved, masking a man's murder.

A couple's car is carjacked and the carjacker barely gets in, when a body falls onto it.   Horatio (David Caruso) on the scene, looks up.   Tripp (Rex Linn) explains the carjacker tried to run, but the body fell from the ficus.    Walter (Omar Miller) says he was too big to have just fallen out of  a tree.   Horatio replies he didn't since the tops of the branches are sheared off.   Horatio: "He fell from the sky." ME Tom (Christian Clemenson) determines there's no perimortum bruising and they'll be lucky if they can find the COD,  he fell from terminal velocity, higher than a tree.  

Calleigh (Emily Procter) says he was found in the middle of Miami airspace, so he's most probably a stowaway from a plane.   They both refer to him as 'Icarus' who flew too close to the sun and got burnt.   His bone marrow shows signs of osteoporosis but he's only in his 40's.   ME Tom: "Either he's 100 or I can't say."  He needs to ensure he's not crazy.   Ryan (Jonathan Togo) thinks he could have fallen from a helicopter since it wasn't a commercial flight..   They have the tail number of the helicopter.

Beau (Flex Alexander) was the pilot of the helicopter and denies having seen the Vic before.   Horatio says air traffic control has him flying the helicopter but he says it wasn't him, someone could have flown it and brought it back, which Ryan finds hard to believe.   Horatio notices an imprint inside which appears to be from a knuckle.   Ryan notices the Vic's knuckles are all shredded.  ME Tom confirms his theory is reality.   The blood and cells prove it.   Zero gravity pulls on red blood cells into a doughnut shape and without zero gravity, they relax into spheres.   Also calcium loss showed the Vic was in space less than 24 hours ago.    He's an astronaut.   Walter thinks he's an alien and that Tom's an alien too, covering the truth.   Well he was right, there was a conspiracy, but not one involving an alien, something more sinister.   Jesse (Eddie Cibrian) says he wasn't an astronaut but a space tourist.  

Walter finds one company in Miami owned and operated by Keith Palmer (David Chisum).   His ship is a Leer jet which he built himself.   Ryan comments you pay $2 million and you get to space walk.   Palmer identifies the Vic from the photo as Sam (Ted King) and he was on the last trip.   (As if he didn't know.)  Ryan notices micro-meteor damage, which was the clue.   They returned last night and were debriefed.   Horatio tells him he was the last one to see him alive as he doesn't tell him who else was on board.

Sam tells Janet (Claire Carey) his wife, that it takes 90 minutes to orbit the earth, on the disk he sent her.   He didn't call her last night.   Natalia (Eva Larue) asks why Janet didn't want to see him.   She didn't want him going on the trip.   Others on the disk include, Beau and Dominic Cross (Thad Luckinbill).   Natalia recognized him, she likes his action movies.   Tom cuts Sam open and removes his lung.   The blood boiled out of his lungs and he calls Horatio, "That means your presence is requested."  He died from space explosive decompression.   Somehow he got outside of the ship.   His body swelled to twice his size.   He thankfully died from hypoxia before his heart exploded, as ME Tom puts it.  

All three deny pushing him out of the ship.   Dominic says he was asleep and Tripp, sarcastically asks he was asleep for 10 days?  Beau says he was flying the ship and Sam got sucked out, that's the truth.   Horatio: "You're not capable of telling the truth, Beau."  No he wasn't and neither were the others.   Dominic was concerned his fans would find out he was airsick.   Horatio tells him a man lost his life.   Which has no effect on him.   Ryan asks how Sam ended up in the helicopter.   Beau got rid of the body and was going to dump him in the Atlantic.   SO if it was an accident, why lie about it.   Since it wasn't and Ryan asks this very question.   Palmer wanted to save his company.

Horatio tells him the ship is his CS.  Ryan's going to cut it up as it's a piece of evidence.   He loved saying that to Palmer and I don't blame him.   Ryan will be gentle.   Jesse tells Calleigh when he was little he pretended everything was a spaceship and now he's actually in one.   He'd have paid two million for a ride without even thinking about it.   Does Jesse have that much spare cash lying around.   Calleigh replies she doesn't have that gene.   Inside, Jesse thinks Sam would have had to open the hatch, but there's no buttons inside the airlock.   Calleigh finds prints on the buttons, someone opened the hatch for him.   The prints belong to Dominic.   He denies it was him.   Ryan mentions cases of astronauts getting cabin fever in orbit.   Dominic claims Sam threatened him if he didn't help him on the spacewalk.   Which cost extra and he couldn't afford another trip.   Ryan asks if Sam was wearing the suit.   Calleigh adds if the suit failed because of Dominic, then that's negligent homicide.

Horatio analyzes the suit with a radiation meter.   If the suit was in space it should be covered in radiation.   Walter sees it's picking up the same radiation that's barely on earth.   There's blood on the suit, indicating Sam died on the ship.   Walter luminols the suit, which was kept in the airlock.   The blood matches Sam.   Horatio says the solid proteins from the blood spatter created a timeline for them.   Sam was attacked before the airlock was opened.   Horatio to Walter: "You're going into space."  With Jesse, who offers Walter airsickness pills beforehand.   He refuses.   His nickname in college was 'Iron Belly' .  

Look Jesse's dream coming true, almost.   Travers (Christopher Redman) asks Ryan why he's not in the "vomit Comet" that's why, cos of the name.   But Horatio didn't send him.   Travers found the residue in the tank was pure oxygen.   It was the ship's airsupply and there was a hole in the tank from the micro-meteor.   Ryan asks the equation to figure out the rate of a leak, Bernoullis equation.   Travers is British but he's adjusted for American measures and hands Ryan a calculator.    They had 12 minutes before the oxygen ran out so he's found a motive for Sam's murder.

Palmer tells Horatio they had air in the EVA suits.   Horatio says someone decided there wasn't enough air for all of them.  Horatio: "I don't need luck [to solve the case]."  No, he's got evidence.   Jesse and Walter float around in the plane in zero gravity, which Jesse loves.   They use different tools to determine which one was the possible murder weapon; alternating between zero gravity.   But no spatter flows from any of the weapon marks.   Jesse notices the blood pools around the rubber body and doesn't leave it.   Walter eventually throws up, giving them a clue to solving the case.   Jesse calls him Iron Belly.   He says they've been approaching it all wrong since the velocity's the same on earth and space.   He tests the theory suing a rubber bullet.  

Walter asks what's with Jesse pulling out guns all the time,  That's true.   Jesse hits his back when he fires the gun and hurtles backwards.   Jesse determines Sam was shot.    What were they doing with a gun onboard anyway, being prepared for all eventualities.   The bullet was sucked out when the hatch was opened.   Jesse refers to Newton's third law of motion: every action has an equal and opposite reaction.   So whoever shot Sam will have a bruise on him.   It was Beau.

Palmer claims he had to make choices as there was only enough air for three of them.   Beau has the gun in the flashback and Dominic saves himself by saying he's famous so he should shoot Sam.   Sam tells them Palmer built it so he should be able to figure out a way to get back.   Horatio tells them they're all guilty of murder and Horatio asks why Sam was killed?  Beau replies it was either him or Dominic, since he and Palmer had to pilot the ship.   Jesse says Sam never had a chance.   Palmer had to bring back four so they couldn't push him out of the airlock.   He couldn't let everyone die and Horatio says it wasn't his decision to make.  Sam left a video journal for Janet.  He was looking over Florida.   The trip means something to him, because at the end of it he's coming home to her.   Calleigh tells her Sam tried to save everyone.   Janet says he would always say there was another way.

What a vicious and cruel bunch that lot were, only thinking of themselves when the chips were down and how easily they took a life to save their own sorry miserable asses.   As for Palmer as Sam said, it's unbelievable he didn't have another emergency plan ready for such an outcome.   Why did he take up two passenger if there only ever would be air enough for 3.   Greed, pure and simple and how little human life meant to each of them.   Beau doesn't have a job, Palmer doesn't have his company and his ship and Dominic no longer has his fame.    Prison was too good for them.    At least there were some light hearted moments along the way, with Jesse's dream of being on a ship and Ryan taking pleasure in taking the ship apart.   A bit of a an unusual episode for CSI:Miami, but one still advocating that crime doesn't pay whether you're on earth or in orbit!

Charlies Angels - 1.7: "Royal Angels" Review

The angels are tasked with looking after royalty this episode after a prince's father is killed. Bosley appears to be his mentor as well as basketball coach.

The angels are at a basketball training session/match and Kate (Annie Ilonzeh) tells the others it's the first training of the season.   Bosley (Ramon Rodriguez) plays too.   Eve (Minka Kelly) says how good Bosley is.   Bosley and Eve appear to have a connection, I know I keep saying that, but she was there when he got the postcard last episode and in episode 8 he'll be there for her too.   A sniper shoots and kills Mark's (Romeo Miller) father.   Kate says Mark is part of the royal family of Ukata, which Abby (Rachael Taylor) explains is on the Atlantic coast, as her father had a weakness for exotic locations and they safaried.   Eve: "Miss Googlemaps herself."

Eve also points out Ray (Isaiah Mustafa) is watching them, more like watching Kate.   Kate tries to convince her relationship with Ray is finished, but she watches and wants him anyway.   Ray takes over the investigation of Mark's father's shooting and has got "four pretty reliable witnesses."  Pretty as in their looks or pretty as in probably.   Eve heard four shots.   The shooter walked away like a fan.   Kate asks where Bosley was standing and finds two shots were fired which were also meant for Mark.

At the consulate, Det Millard (Michelle Jones) meets Kate,  who adds, sarcastically, "that Kate Prince."  Ray says they're witnesses.   FBI Agent Carter (Damon Sementilli) says he'll find answers before Ray does.   His father's aide, Richard (Richard Brooks) hires the angels and Ray says they're not Carter's witnesses. Kate tells Carter that Mark is now their client and so they can talk to him,  with Ray smirking.   Mark's gone.   He's the sole heir to the throne and there could be a civil war.

Charlie (Victor Garber) lets them investigate their own cases.   He will ensure there's a news and media blackout of the story.   Abby says the social media hasn't been quiet and his godfather wants Mark to return to their country as it's the only way to maintain stability.   Eve replies Mark has the perks of being a prince.   Bosley asks what they wanted to do at 20.   Kate wanted to be a sharp shooter.   Eve a racecar driver and Abby wanted to be acknowledged by her father.   Bosley finds Facebook has the lowdown on Mark.   Dominique (Inbar Lari) has photos with him and she's a lifeguard.   She was suspicious anyway.   Bosley notices she's watching the beach more than the ocean.   Eve dresses like Kris (Cheryl Ladd) from the original show.   They find Mark hiding in the tower.   Everyone's been looking at him differently and calling him 'highness.'  He doesn't know what his father deals with, or what should be dealt with.

Kate doesn't find anything from the footage where Abby saw the muzzle flash.   Abby spots the banner is reflective and they see the shooter, who is a woman.   Kate calls Bosley and sends him a photo, who then shows it to Eve.   And along comes said shooter casually strolling on the beach.   Eve in yet another fight.   Abby tells Eve her fight made it to the Net and the key Eve found from the shooter, Eve says belongs to a motorbike.   Bosley takes Mark and Dominique to the safe house, telling Mark it's fine to be scared.   When Mark was seven he lost his mother and uncle who were attacked in the car.   His uncle was the king.   It was never safe and his father sent him to the US, "where dreams come true."  He could come home when he's ready.   Listening to his father's voice at school made him feel okay.   Bosley can relate and thinks Mark is a natural leader.   When Bosley was 20 he had a scholarship to MIT and wanted to graduate and work for the NSA and change the world.   He made bad choices.   Life makes other plans.

The angels find money and a phone in the motorbike box.   They try to work out the password to unlock the phone and Eve rearranges the letters to spell, 'ghost.'  She's good at Scrabble.   Hillary is in the US Army and has an alias.   She was a sniper in the Ghost programme.   Her real name is classified and she died five years ago.   Charlie contacted a retired general friend of his and Abby adds, he has "useful friends."  Her name is Tabitha (Raquel Alessi) and her body was never recovered.   There are outgoing payments from different accounts and Kate believes she has a secret.   Abby thinks Kate should talk to her and Eve tells her it is Ray's case after all.   Abby doesn't think Kate is persona non grata to Ray.  Besides Ray doesn't know who Tabitha is.  Kate makes a deal to talk to her for five minutes.   Kate investigates her own way or she threatens to make a deal with Carter instead.

It's been a while since Kate has been in a cell like that, i.e.  holding room and shows Tabitha a photo of her sister, Rachel.  Tabitha's been paying her tuition with blood money and she'll keep her out in return for Tabitha telling her who she was hired by.  She'll hide the money trail for her.   Ray took his time coming in when Kate called to him.   She was hired by a company, Mason Winkler; which is based in the Bahamas.   Abby finds it's a shell for Langley Diamonds and Langley (Jeff Moore) runs the company, which is clean since Langley covered his tracks.   Ray needs Kate's help and has to come out and ask her for it, giving Kate ideas about getting back together.   Langley inherited the family fortune and Abby determines this case is about corporate greed.   Bosley thinks Langley can get whoever he wants into power.   His company server is located at Star Island.   Eve suggests they should get his corporate records.

Abby wants to see his neighbours and they'll be able to get in through the front door.   Eve will pay whoever out of the boys can break a window first.   One of the boy's (Nick Merico) asks for Abby's digits.   Abby hates that she manages to attract juvenile boys of all ages.   Abby and Eve enter the mansion as glass repairers and download info from his server, well Bosley downloads the info.   Bosley "I'm in."
Abby: "I love it when you're literal." The info leads to lithium as there's money to be made in telecoms.  Langley's expanding into batteries  and he arrives home.   Eve spots a photo of Dominique and Kate took her time calling Bosley.  Abby says Dominique tipped off the assassin...she holds a gun on Mark, it was for the money cos he has everything and Langley promised no one would get hurt.   Bosley grabs the gun saying, "You always have a choice."  Mark blames her for his father's killing.   The safehouse is raided but Bosley takes them out.   Mark escapes to go after Langley.

Bosley tries to prevent him from shooting Langley and tells him he won't get away when he's up against them.   His father let justice run its course after his mother died.   Mark relents and Eve shoots Langley when he goes for his gun, Abby calling it a nice shot.   Mark is ready to go home.   Bosley gives him a St Christopher his grandmother gave him.   Mark could use a chief of staff.  Bosley suggests he could send the royal jet for when he feels like a game of basketball.   Mark claims Bosley's too old for that.

Ray doesn't believe he could have solved the case without Kate and invites her to the game, which she misses and asks Ray for a drink, but he's seeing Miller.   Kate throws some baskets and Abby and Eve arrive with food and beer to cheer her up.   Kate comments her timing sucks.   Funny how first Eve and Abby pointed Kate in Ray's direction and then they were there when she needed some friends at the end.   They just knew.   Kate couldn't decide what she wanted as in 1.3 she returned his ring when he didn't want it back which probably told him she's moved on or at least wants to move on.   Then she changes her mind and it doesn't take much coaxing from the others to make her go for it again.   Then she's hurt and angry when she sees Ray has moved on as if it was anyone else's fault but her own for being a dirty cop.   Didn't like that detective much though, she was rather snide and stuck up by the way she turned her nose up when Kate told her who she was.   Then when she came to meet Ray at the court, it was as though she was rubbing it in Kate's face.

Bosley tells Dominique they have choices which is what he said in 1.2.   Bosley turned out to be a real mentor/coach didn't he? After all he's been through, he can still relay hope to Mark and be positive.   Though he didn't tell the angels what he wanted to do at 20, he tells Mark later on.   Out of the three angels Abby was the one who didn't want to aspire to much, though having money maybe she didn't feel she needed to, but only wanted her father's love and approval, which is fine but they could have had her add something else too and given her some ambition.  Or was that wanting to meet a man who wasn't a juvenile, considering in the Pilot she said the bartender she liked had future plans, of getting a yacht.   She didn't really aim high.

When Bosley asked what the angels wanted to do at 20, their replies were similar to the original angels.   Besides the newer angels being all bad to begin with.  Of the originals, Jill (Farah Fawcett) wanted to be an athlete, she also coached a girl's basketball team on her day off, as Bosley coached a basketball team too.   Jill was also a racecar driver; Eve's ambition.   Kelly's (Jaclyn Smith) parents abandoned her, but in season 1 she had a boyfriend, Dr Alan Samuleson (played by none other than Magnum PI himself, Tom Selleck).   Kelly was also a sharp shooter and adept in martial arts, specifically karate and judo.  Sabrina (Kate Jackson) was really the one who'd practically done everything.   She had an ex husband, Bill Duncan who was also a police officer and ex military.   In the original show, The Prince and the Angel episode sees Jill flirt with a real prince who is the target of assassins from his own country.

Ramon played basketball in his eleventh and twelfth years at high school and college basketball at Wheeling Jesuit University.   At New York University he received a BS in Sports Management.

Doctor Who - 6.9: "Night Terrors" Review

The Doctor receives a distressed message from a scared little boy, prompting a search for him. Amy and Rory are left to their own devices again and Amy becomes a wooden doll.

A boy living in on a council estate is afraid and has been told to put the things that scare him into the cupboard in his room.   (Why are scary things always found in the cupboard or under the bed.   What is it with bedrooms and terrifying stuff.)  He wants his mother, Claire (Emma Cunniffe) to do the ritual with the lights, turning them off and on five times before she leaves.   George (Jamie Dram) hears the lift and even that makes him afraid.   He calls out for help, "Please save me from the monsters"  over and over.   This is relayed eons away to the Doctor (Matt Smith) in the TARDIS on his psychic paper.   Just as Claire says George needs a doctor.   The Doctor's doing something he's never done before, "making a housecall."  Or that should be a (dolls) housecall!  Sorry spoilers!

The TARDIS lands outside a rundown estate, Rory (Arthur Darvill) comments  "we could get a bus somewhere like this."  Meaning it's not historical or anything astronomical.   They're answering a call for help from the scariest place in the universe,  "a child's bedroom" utters the Doctor.   Amy (Karen Gillan) can attest to that from season 5!  An old woman, Mrs Rossiter (Leila Hoffmann) wheels her shopping trolley past.   There's no crack in the wall this time, only cracked paint!  They search for the child.   George looks out the window and is spotted by the Doctor, who leaves Rory and Amy alone again, typically.   Rory thinks they "should let the monsters gobble him up." They get into the lift and it freefalls.   Mrs Rossiter is swallowed by the garbage bags outside.   The estate did look like something you'd find in Brit soap Eastenders, which is what I thought and Rory makes a similar comment.   Knew they were in a dollshouse though, that was apparent.

Alex (Daniel Mays) says they talked of getting help for George and sending him away.   The Doctor mentions "pantaphobia" the fear of everything.   Not pants, though pants could be included as everything.   George hates clowns, Doctor: "Understandable."  As do most people.  Amy and Rory find there's no lift.   Rory believes they're dead.  "The lift fell and we're dead, we're dead again." Well considering the number of times Rory's been killed off and Amy in 5.12 The Pandorica Opens.   He thinks the TARDIS has done some time "slippy thing and the Doctor is stuck in Eastenders-land back there."  There's his Eastenders comment.   (Well it would be, that soap is so dreary don't know how people watch it.   No offence to avid fans.)

Amy notices the pan in the kitchen is made of wood and painted copper.   Rory's got his little torch out again (as in 6.6).   Time for Amy to open the bigger lamp! and she finds a huge glass eye in the drawer.   The Doctor tries a Rubik's cube.   He liked reading when he was George's age, a thousand years ago.  Books like "The Three Little Sontarans," i.e.  the Three Little Pigs, they won't be happy being called pigs.  Ha.  Also "The Emperor Dalek's New Clothes" what clothes, now shell maybe.   Also "Snow White and the Seven Keys to Doomsday."    The Doctor and the Rubik's cubes, "...must be broken.  Hate those things."  They should tidy it away in the cupboard.   How come he's no good with the Rubik's cube.   Monsters go in the cupboard he adds.

The landlord Purcell, (Andy Tiernan) pays a visit demanding payment and George listens to him.   The Doctor makes the toys move with the Sonic.  He tells Alex "George's monsters are real."  They shouldn't open the cupboard.   Surprised Alex wasn't more shocked when he appeared to just accept it.   Rory realizes there's no doorknob on the front door and Amy says the hands on the clock are painted.  They hear children laughing.   Alex calls the Doctor irresponsible and the Doctor refutes this.   They need to stay away from the cupboard, it's bad.   In a moment of crisis he makes tea again.   He's missed something staring him in the face.   He refuses to leave.  "I'm not just a professional, I'm a Doctor" and he's come a long way to help.   Whatever is in the cupboard has "amplified" the boy's fears, which travelled all the way through time and space and he does his flattering speech about all the nebula and oceans etc.   He asks for Jammie Dodgers, no Custard Creams this time.

Rossiter's in the house too.   Rory and Amy come across a giant wooden, peg doll, but it moves when they turn away.   Children sing a rhyme.   The Doctor looks at the photo album again but can't put his finger on what's bugging him.   Purcell watches TV and and comments they're showing Bergerac a 30 year old TV show.  (With John Nettles, years before he did Midsummer Murders.  Hey we're still getting Bergerac too.   So that was a topical comment.)  He's taken through the floor.   Cos George listened to his threats to Alex and is afraid of him, but curiously not the dog.   See it's all about George.   The Doctor realizes Claire isn't pregnant in the photos.   Alex had forgotten Claire can't have children.   So who is George?  Through his heightened fear,George sends the Doctor and Alex through the cupboard.

Amy accuses Rory of panicking.   Children sing the rhyme again.   Amy: "I take it all back.  Panic now."  The Doctor thinks a perception filter is in operation, not another one, which made Alex forget.   The Doctor looks into the mirror on the wall as in the Vampires of Venice episode.   Amy has the idea they should open the door and push past them, but only Rory has the mop (like the Doctor had in 5.13 The Big Bang) and Amy is caught and turned into a doll, red hair 'n'all.   Hey no bow tie comment this week.   Alex and the Doctor end up in the dollshouse too and Alex notices the lights go on and off five times, like they do for George.   The Doctor goes over what they know and concludes George is no ordinary boy.   Funny bit where the Doctor and Alex do a double-take on the wooden doll behind them.   Liked the giant scissors.   The Doctor tries to use his Sonic on the doll, but it doesn't work on wood.   Doctor: "I've got to invent a setting for wood.   It's embarrassing."  As in 5.8  when Rory dissed the Sonic and said it doesn't work on wood.

The Doctor realizes, finally, that George is a 'cuckoo in a nest'.   He's a Tenza.   There are millions of them adrift in space and they assimilate into what people want.   A Tenza's function is to fit in and to be wanted.   George isn't aware he's controlling everything that's happening.  The Doctor pleads with George to end this, he's the only one who can and George steps into the cupboard.  The dolls stop and then they go for George.   He calls out to 'Dad' and Alex hugs him, he will never send him away.   Making George overcome his fears of being rejected.   The dolls become human again.   The Doctor tells Alex that George will adapt perfectly now and he gives them kippers.   (As in 5.1.)

The Doctor then says it's good to be together again "in the flesh."   They can't decide where to go.  Doctor: "Mind's gone blank."  She was turned into a wooden dolly.   Children sing the rhyme again, "tick tock goes the clock even for the Doctor..." As we're shown the Doctor's photo on the TARDIS' monitor from last episode with the date of his death: 22/04/2011 at 5.02pm at Lake Silencio.

This episode moved away from the arc of the Silence, finding Melody/River, until the end where we get the date again from the last  episode and the rhyme, which means we're still forging ahead (or backwards) to the Doctor's demise.   This was much a stand alone episode and was creepy in places, probably a few children and some adults hid behind the sofa again, as they now nurse a fear of wooden dolls and dollshouses.   What was George doing with a dollshouse, it's not really a boy's toy, no wonder he was afraid of it.   Also George was afraid of the sound of the lift which explains why the sound could be heard from the cupboard, but if the sound is in the cupboard, the lift wasn't, so why did Amy and Rory find themselves in the dollshouse.   Didn't those dolls remind you of something from the French revolution, spooky.

The Doctor also asked for Jammie Dodgers and tea in Victory of the Daleks.   Not too bad an episode, think most of the reviews I've come across people actually wanted blood, except for that diabolical, inaudible, unintelligent rhyme throughout, not even the subtitlers could subtitle (closed captions) it!  Were we not meant to understand any of it, aside from the line at the end.

This episode was meant to have been shown earlier on as episode 6.4.   Also writer Mark Gattis admitted in an interview in Radio Times of his fear of dolls and how the show had never done an episode with dolls.   The Sonic not being able to work on wood was also mentioned in 6.3 The Curse of the Black Spot and by Donna in Silence in the Library.   Snow White and the Seven keys to doomsday was a reference to the play Seven Keys to Doomsday from 1974, and the character of the Emperor Dalek.

Next week it's Rory's turn to choose.

Lie To Me - 2.3: "Control Factor" Review

Cal is on holiday with Emily but still gets involved on a case whilst still keeping an eye on things back at the office. Gillian must work with one of Cal's former protoges.

Gillian (Kelli Williams) convinces Cal (Tim Roth) to go on his planned vacation to Mexico with Emily (Hayley McFarland) and he finally relents.   Gillian doesn't believe he can leave her in charge and for everyone else to do their jobs without him around.   Cal and Emily agree that he will let  her do her own thing and more importantly trust her ,if he treats her like an adult.   She stops him from spying on the office back home, it causes stress.   But not for long.   Clearly Cal has trust issues, not just with Emily but with his staff.

A man from the American Embassy, Lou Nemenoff (Patrick J Adams) asks Cal for help in locating a missing woman, Marla, (Nicole DuPort) who has left her daughter Tyler (Mary Matilyn Mouser) on her own.   Emily watches the videos of the police and the bartender with Cal and feels empathy towards Tyler.   She wants Cal to take on the case which of course he would have done anyway.   Cal lets Emily get involved when he takes her to the police with him.  I would have thought he would have been weary about dragging Emily around with him, especially since this is Mexico and secondly, it perhaps gave him a chance to keep an eye on her.   Marla was considered an addict as needles were found in her hotel room and she was meant to be meeting a man that Tyler had found for her from an online dating service.

The policeman, Molina (Jose Zuniga) doesn't want Cal on the case and is advised to drop it.   Everyone around him gives Cal dirty looks and Emily asks what Molina is doing about the man Marla was meant to be meeting.   Cal questions the bartender, Miguel (Max Arciniego) and he is hiding something as Cal can tell he's afraid.   The woman stops Miguel from talking.   Cal calls Ria (Monica Raymund) for help and uploads her profile on the dating website, adding she's fond of dirty limericks.   She informs Cal that Jack (Marc Blucas) has been called onto the case and is working with Gillian who has gone gaga over him.   Then notices Cal is jealous.   Cal wants Ria to report what's happening back at the Institute.

Jack has been called in by the CDC to investigate a case of contaminated blood supplies turning up at blood banks, a case to which Gillian has already been hired by the hospital director Krentz (Mary Mara).   Jack once worked for Cal and is now his rival.  Ben (Mekhi Phifer) doesn't like him but Gillian isn't so sure, in fact she's attracted to him.   Cal doesn't like him cos he's all about the money and fame.   Gillian makes it clear that she's in charge.   They have two people for questioning but Jack and Gillian put on a display as if they're trying to outdo each other.   One of the two gets restless and complains.   Eli says their little plan worked cos people don't like drawing attention to themselves if they have something to hide.

Gillian knows the woman, Jenna (Rebecca Field) was almost fired and she admits she was preoccupied and her daughter needed her. (She's divorced).   Gillian understands her predicament being recently divorced too.   She didn't run some checks on the blood.   Eli tells Jack that Cal doesn't think much of his employees and Jack believes after he left here he realized he was good at what he does.   Ben tells Gillian someone has died but the blood came from a different centre.

A man follows Ria and Cal and Cal wonders if he's from the police or a drug cartel.   They take a taxi to the bar where Miguel plays pool and he tells them about another woman from Miami who died.  The police like to keep it quiet cos of tourism.   He recognizes the man Marla was meant to meet from his photo.   Cal finds this same man with Emily at the hotel, she was trying to get info from him.   Cal doesn't want her involved and they have a falling out.   Ria meets with Jerry (Timothy Carhart) and speaks of a weird guy she once met.   Jerry tells her about Marla.   Cal watches the office from his webcam and texts Eli to give Gillian the blue file.   Didn't they wonder how he knew about this and she might need it right this minute?   They use the cameras everyday but don't seem to know they're being watched in the same way by Cal.

Gillian uses the file to question the two men, Dunst (Victor McCay) and Yager (Larry Herron) saying it contains info about friends, family etc.   Jack sees it's just full of blank pages.   One of the drivers is a criminal, Tomkins (Christopher Sower).   Ria doesn't believe Jerry is involved and Cal takes a photo of the man following them.   Molina tells him he was hired by someone.   He tells Cal about a couple who gave a statement about Marla.   Eli realizes Tomkins is aroused by bloody and gory scenes.   Jack meets with McKenzie, a reporter and Cal turns the sprinklers on them.   The couple tell Cal they were there to get an egg and thought Marla was their donor but she wasn't.   Lou has been reassigned and threatened.   Ria and Cal pose as a couple and visit the fertility clinic, where she asks Samuel Wynn (Dale Midkiff) for a baby with blue eyes and brown hair.   Dr Alvarez (Gary Perez) is present  and Cal asks him if the reason Ria is infertile is cos of the Coriolis Effect - something to do with the earth and Alvarez replies yes.

Alvarez tells them about Marla and there was a complication, she's bleeding and is being kept in an apartment Wynn has.  Molina isn't a dirty cop but but his boss talked to the embassy.   Marla and Tyler are reunited and Ria wants to stay as Lou asked her to stay  behind.   Gillian notices  something's not right in the video Eli took of Yager and Dunst.   One of them keeps looking behind him and then relaxes after Eli stopped filming to change the battery.   They were using the blood to distribute drugs and the wrong batch was picked by the driver.  Jack mentions Gillian in the interview and sends her roses.   Cal returns and she says she kept Jack away from his library.   Cal posits he'd tell her why he doesn't like Jack but she'd think he was lying.   Jack leaves and gives Eli his card if he wants to leave here.   Cal gives Eli one of his own cards.  

Three scenes which were enjoyable was the scene with the card exchanges, (Eli must have wondered how Cal knew), the sprinkler scene and Ria telling Cal he's jealous.   Appropriate title as Cal lacks the ability to completely trust not only Emily but also his staff in his absence.   Cal having to stop Ria from talking when she wants to tell him he blew it with Emily at the pool.   It's fine for Emily to play detective when he's around - like earlier at the police station - but not now.   Emily and Cal make up and she has the right to throw tantrums and spend his money, as long as he can be protective and suspicious of her.   Cal witnessed first hand Jack trying to poach Eli, another reason for not liking Jack.   Some would say Cal is stifling his staff in their development - such as Eli; maybe he doesn't want Eli to turn out to be another Jack - a rival.