Scandal 2.16 "Top of the Hour" Review

                                                
Olivia (Kerry Washington) hands over the docs recovered from Wendy's flashdrive to Jake (Scott Foley) who needs to know where they came from before he can give them to Fitz (Tony Goldwyn).  Olivia can't do that but they will help him out.  Elsewhere Mellie (Bellamy Young) wants to get back into Fitz's good books and the Oval office using their son to do so since Fitz feeds him, but he doesn't let her in.  Cyrus (Jeff Perry) also wants to see him and Fitz asks to see him causing Cyrus to believe he's definitely back into his good graces.  It would never be that easy.

Olivia has a case this time, the woman is Sarah (Lisa Edelstein) she had an affair with the candidate of the Supreme Court Randall (Tim Halligan) nominated by Fitz but she tells Cyrus that Randall isn't her client, Sarah is.  Sarah's affair was when she was in law school and Olivia thinks she should come clean to the press.  With her husband, Phil (Jay Karnes) standing by her.  That is of course until he learns the true extent of her betrayal.  Another case which is close to Olivia's heart or rather her personal life.  That is when she has a moment to herself cos Cyrus intends to fight her on this every step of the way and to use every dirty trick and tactic in the book, or out of the book to destroy Sarah's reputation.  To the point where now she's CEO of a corporation, they fire her cos she violated her morals clause and this is a breach of contract.

A bit of racial prejudice on Sarah's part as Sarah assumes Abby (Darby Stanchfield) is Olivia, why cos a black woman can't be a fixer and good at her job! As dirt is dug Fitz wants Cyrus to spin the story so Randall appears to be innocent of all sexual advances and that the affair was one-sided.  That she pursued him, which is apparent when there are no e-mails found from him, but only from her.  Until Abby finds a tape of their weekends in Mexico which Cyrus also has and makes it public.  Abby tells Olivia the date stamp doesn't match, thus Sarah lied and continued her after for longer.  Even when their daughter, Annie (Mandalynn Carlson) was born.  Phil thinking she may not be his demands a paternity test.

Jake comes to see Olivia at the house which was not only incredibly stupid of him and risky.  Look the guy works in military intelligence, why would he do that with press around?  SO Olivia tells him the Intel she gave him is legit though she can't revel her source.  Olivia is snapped by a paparazzi and Jake turns his head round and gets snapped too.  Again stupid, why would he turn his head around to get in the frame.  Olivia tells him to let it go but why would he, especially when he doesn't want Fitz to know what he's up to.  Speaking of -Mellie makes it her mission to find out who Fitz is having late night rendezvous with, asking Lauren (Sharmila Devar) to show Fitz's schedule.   Lauren telling her she doesn't know who he meets and that it's probably a phonecall meeting.  Which was adding fuel to the fire and sending Mellie the bloodhound on a chase.  Mellie automatically assumes it's Olivia and thinks he's seeing her again, which could lead to divorce.  Confronting Cyrus with it who has his own problems as he tells her there's a mission going on right now to rescue the hostages in Kashfar.

Thus they're both out in the cold again.  Jake you see provided Fitz with Olivia's Intel and he ordered the rescue to take place.  Though he didn't take it to the CIA as Olivia told him not to, which was wise.  Huck (Guillermo Diaz) and Quinn (Katie Lowes) follow Osbourne (Kurt Fuller) to find out where he's making the drops which lead them to a laundry.  Quinn walks in without any clothes to launder and so has to give them the shirt off her back.  Huck telling her that's what happens when you go in without a cover story and props. As what happens is she gets made, something he didn't warn her about as the second time round she picks up his clothes and finds a wad of money.  Money from Kash(!)far.  So Osborne gets her pic from the laundry man and will now be on her trail.  Something Quinn could have done without considering she's not really Quinn.

Fitz calls Olivia and asks her why she did this.  He doesn't mean the vote rigging (not that again) but why she didn't have any faith in him, in becoming president.  She has another moment of crisis as he still holds all the shots as far as she's concerned and tells him she made a mistake.  At the same time Sarah and Phil argue which is just a reflection of her own life and betrayal as far as Fitz is concerned.  Sarah asks her for a drink, an expensive bottle of wine and yes Olivia probably did down the entire bottle.  She tells her she has to learn to live with it and forgive herself.  It'll be hard but she has to do it.  Again another reflection of Olivia's own life.

Meanwhile Jake breaks into the paparazzi's place to retrieve his photo as we see the lengths he will go to and as he's beating up on him, Fitz and his advisers are watching footage of the hostages being rescued as Osborne looks mighty disappointed, okay right royally pissed!

Abby and Harrison (Columbus Short) talk of Harrison's betrayal of her when he put the spanner in the works as far as she and David were concerned and he says he's sorry and will be sorry everyday.  She forgives him cos she realizes as a gladiator he was putting work first and being human second, which she will also do now.  Giving her a brainwave to ensure Sarah keeps her job.  They bring an empty box to the meeting and call their bluff by telling the board members they have dirt on them.  Finally giving in when Abby's about to open the empty box.  A bit like watching Deal or no Deal! Ha.  Well they dealt!

Olivia gives him the paternity test results and tells him that after 13 years he will always be her father.  So he tears up the envelope, giving their family a new lease of life, eventually.  Never do understand these affairs of law students etc with 'older' men, I mean what's the big attraction anyway.  Not like most of them want to further their careers or anything.

Jake turns up at Olivia's telling her he was mugged.  Again how he could get so easily mugged is beyond me. So she fetches him ice and he sits in front of his own camera and has that sly grin!  Well it was sly as he's recording every bit of it.  Glad Scott Foley came aboard actually cos he really is adding another dimension to the show.  Fitz/Olivia was getting tiresome, especially since he'd always get his own way and Olivia would come running no matter what and drop her pants!  Or rather have them pulled off at every second.  Mind you he don't look so bad in a uniform either!  Hey he could have had a great part in JAG, once upon a time!!
                                                 
Fitz is still inebriating himself and wallowing in self pity but really when he will wake up and see that he would not have been President right now without their 'cheating' tactics and be relishing in the news of getting the hostages back and thus adding more weight to his Presidency.  They made him and whilst it's not right and underhand and all the rest of it, he should just get on and deal with it.  Move on it's been a year, oh, that's not really in his nature to do that.

Oh and Mellie happens to be there when Jake leaves Fitz and shows Cyrus his photo (ooh in his dress whites!!) Erm, er, lost my chain of thought there! She tells him Fitz is replacing him too.  SO what's Cyrus going to do now.  Sarah's boss, Samantha (Saidah Arrika Ekulona) tells Harrison: "You're pretty and you talk fast" is exactly what I thought when Olivia, Harrison and Abby were in the car waiting to make a dash for it as soon as the reporters when on air, aside from the pretty part.  I did think that's what they do and you wouldn't have a conversation firing quickfire words at each other in real life!

But somehow we know Olivia and Fitz will get past this and also he will find out about Jake and his 'betrayal' towards him which I must admit is what I'm waiting for and I don't think I've written this much about a Scandal ep before! Olivia: "you messed up and there was a price.  Betrayal always has a price," as we'll see later!  Oh and come on how did some of you not realize that was Jake in the hoodie/ski mask!!!!  Wouldn't be anyone else.

Some choice quotes this week, though let's face it Cyrus was even more annoying this ep and talk about sexist too.  It's okay when men cheat but when women do it, they're whores, stalkers and all the rest of it. Cyrus: "classic sexual harassment, or does it only matter when it's boy on girl?"
Same with Fitz: "I trusted you, you were all I had.  You ruined me. I'm ruined."
Olivia: "I'm ruined."  Somehow he doesn't seem to care what she's going through.   Oh Fitz!!

Lisa Edelstein was in an ep of Without A Trace and of course House, just reminded me of Tony Goldwyn guesting in Without A Trace too where he played murdering twins, well one was a killer and the other one used him!  Good eps to watch.

Truth and Consequences: An X-Files/Tour of Duty Piece

                                                       
Actually penning an article about the season 4 cliffhanger, Gethsemane, many moons ago of the X-Files and Mulder's (David Duchovny) demise  I noticed some similarities between Scully (Gillian Anderson) and Mulder's 'relationship' and her actions towards Mulder and some of the issues raised in Tour of Duty (TOD).  Sure many of you will recall this series about the Vietnam War.  Situations which are not only common in war, but during everyday life.  (A most suitable digression as it enables me to ramble on about 'spooky' goings-on - a very favourite topic of mine.)

Firstly there are relationships between ordinary friends; then there are those between colleagues and people thrown together cos of situations and circumstances beyond their control.  Scully's relationship with Mulder focused on ultimate betrayal.  Human beings are frail - life even frailer - yet we do not understand one another as well as we may perceive to; or should.  Scully's ultimate betrayal came with her expressing Mulder's frailty and naivete, as well as his vulnerability.

Is Mulder dead?  (Of course we know/knew better.)  Are we gullible enough to believe that Mulder was so weak that he finally gave up and lost his fight - in the end at his own hands.  Did he "Believe the lies".  After being through so much - experiencing the unexplainable, such as the disappearance of his sister, Samantha; the murder of his father...we are to believe this was all an elaborate hoax by the Government - but why?  (What about the expense involved - the tax payers millions - they obviously have no regard for human life.)

They were carrying out experiments on their own kind - on the population of the world.  A cover up/conspiracy exists to hide the fact that aliens exist or don't exist?  What are we to believe anymore?

Robert Louis Stevenson wrote, "the cruelest lies are often told in silence."  The very crux of human nature is the ability to lie and to deceive.  To say one thing and mean another, or a to say nothing at all when they should speak out against injustices.  Perhaps his quote can be applied to Governments (bureaucrats) to military personnel.

Lies and cover-ups (conspiracies) have become an all too common factor in our existence.  They may be more pronounced in the 1960's but are still common even today.  Episode 42 of TOD A Bodyguard of Lies showed human nature at its most cruelest and warfare at its most deadliest and dangerous.  The abhorrent massacre of innocent civilians by a 'platoon' out of control.  Miscreants who had to be brought to justice at all costs.  'Costs' being the operative word, as the military transferred the men involved to other units: to hide the truth - as if that tiny population of a small village was negligible; it did not matter!  "People are strategic."  (Episode 3 Dislocations.)

The episode title in episode 42 was attributed to Winston Churchill's quote, "in war the truth is so valuable it must be protected by a bodyguard of lies..."  But whose version of the truth?  And whose lies?  Irony perhaps?  As surely they did not believe that such matters had to be concealed, but for whose benefit? What purpose would a cover-up achieve?

If there were no court martials brought - there would be no justice, truth would be the victim.  This would leave open an invitation for such actions (massacres) to become commonplace.  Justice involves retribution; but for these victims it was too little, too late.  They strived to show man's inhumanity against man.  Truth becomes manipulated - even more doubly in wartime.
Hence the parallels, although applied to aliens, governments etc in The X-Files - there was really a subliminal message that the truth can be easily twisted and used.

The question I want to know is why?  Why Mulder?  Why out of all the people in the entire universe who believe in UFOs and EBEs, did the government choose to dupe Mulder?  (Okay apart from the fact it adds material for more episodes).  Cos he wasn't the only one who who wanted  to "believe" or "believed."  We had numerous flashbacks to his childhood - his sister's abduction; father's murder; mother's affair - was Mulder chosen cos of what his father knew about the 'project.'?

Scully's scientific opinion, "over the course of three years he became a victim - a victim of his own false hope and of his belief in the biggest of lies," is of no use!  But fear not - for Mulder returns to get to the bottom of things (thank goodness).  After all the "Truth is [still] out there" but whose version or creation?

From this stems the question - if he was fooled into this false sense of 'aliens' by the government - why did Scully - if she was such a rational, methodical scientist - go along with him on every case, encounter (she needed the money? -ha)  she put forward her own explanations and her own 'sceptic' views - yet she could have walked out on Mulder and left it all behind her - then she wouldn't be a victim of the government now either; cos that's exactly what she is now too - a victim!

Why was there such a need for a massive blanket over the amount of information given to the men themselves.  Obviously there was the secrecy aspect: that the other side should not find out anything strategic.  Support was dwindling but a cover-up was maintained as a denial to protect those that took part in such activities - as those in command would be held accountable or personally responsible.  But even after the war secrecy existed surrounding the facts on certain actions by 'rogue' troops, eg the treatment of POWs, civilians...

Scully blames Mulder for her disease, the truth (if there is any) is that she contributed to her condition as well.  (Self apportioned liability is the legal term).  From season 1 episode 1 (Pilot) she was sent to 'spy'  on Mulder, to report (to the men in dark suits) on his feelings and his "incredible manipulations." She 'walked into with her eyes open!  Now Mulder is searching for a cure for her - is this cos he feels guilt or is it genuine concern for someone who finally showed little regard for him - evidenced by her actions.

Certain areas in TOD weren't really explored as fully as they could have been.  One is the rather 'grey' issue of faith and war.  A hazy issue cos so many people can be offended.  Hence the non-association.  Episode 42 A Necessary End where McKay (Dan Gauthier) finds ('religion') faith - well not so much a 'religion' but a nun (who he subsequently asks out to dinner - ugh).  Well, actually he was in search of peace and meaning to their purpose for being 'over here.'  To find out the answer's to life's mysteries (something we'd all like to know) like why he's doing what he's doing what he does best (in flying) - a waste of time; life?  But WB Yeats: An Irish Airman Foresees His Death summed up his sentiments beautifully.  Well the four lines that were used.
"I balanced all, brought all to mind,
The years to come seemed waste of breath,
A waste of breath the years behind,
In balance with this life, this death."

                                                         

Yet the remainder of the poem holds a certain sense of truth and poignancy to it as well.  Like McKay's character, Yeats' pilot in the poem only went  into battle cos of his love of flying and nothing else.  Not for God, countrymen, country, justice or freedom.  (In fact this poem was one of the first I read at school all those years ago - I knew there was a point to reading it.)  But there are times of trouble and life when poetry does sum up a whole sepia of emotions which sometimes otherwise would be heard to express.

What of Scully - she was kidnapped and infected by the very people she works for.  Now she's dying. What of her scepticism now?  Who or what does she believe was the cause of her disease?  She wants (and always needed) proof - hard facts to substantiate Mulder's claims.  She questioned his every move and belief cos, "every answer lies in science".   Now that very science she holds so dear to her - her own belief in fact cannot help her overcome her fears and fight her disease.  Her cure does not lie in science but with the Government itself.  What about her faith in God?  In the unseen.  She has lost that too by betraying Mulder (she blames him for her cancer) - "they infected me to make you believe."

Then there was Doc in TOD being ostracised when he refused to shoot an escaping prisoner in Episode 55 War Is A Contact Sport.  This is heralded as the "ultimate betrayal" in the eyes of a soldier.  (The rules in the Geneva Convention on the treatment of prisoners spring to mind here.)  But in war, how meticulously are such rules adhered to and who monitors these?  (Other than JAG - but that's usually only when a legal grievance is aired or when a certain situation merits investigation.  Not every country has one of these)

Doc's actions were seen as irrational and cowardly - but did those that signed up as Medics have to fight? They didn't have to fight, which is why many 'Conscientious objectors' who did not want to fight but still wanted to contribute to keeping their fellow countrymen alive were assigned to positions of medics.  If they wanted to fight then they could do so.  It was their personal choice.   They did not take the Hippocratic oath (hypocritic?) as doctors do - but they were also responsible for human lives and shouldn't have had to take them.  Re Army Chaplains who weren't expected to carry a gun or fight.  His actions (lack of) were seen as selfish.  'Mulder's fight' and 'Doc's fight' was a kind of self-serving sacrifice, to be singled out and be betrayed cos of their beliefs.  Their faith was what they retained  - that helped them to overcome and to come to terms with what they had to do; to endure and the atrocities they witnessed.
It seemed that time and again, it was Ruiz who constantly referred to his faith. The death of the chaplain left him (shell) shocked and 'jinxed.'  He refused to enter the cemetery out of respect for the dead.  (Episode 40 The Ties That Bind).  Perhaps faith can overcome irrationality.

Scully's own 'irrationality' will be demonstrated in the episode, Emily where she attempts to adopt a little girl cos she reminds her of her dead sister.  The Government had one purpose and one purpose only - to make everyone so incredulous about anything that was ever found on the subject of EBEs and UFOs, that in the end we believe nothing at all, not even the truth!

A sort of irony in itself - in the end can we say that what Mulder experienced was so unbelievable that finally in the end - perhaps there was some truth in the lies.

Hope you enjoy this and well, if not, then maybe you can debate it and come up with some of your own answers.  It was a while since this was written!

CSI 11.22 "In a Dark, Dark House" Review

                                                 
Ray finally has his showdown with Nate Haskell, and the rest of the team have to find the evidence to prove he acted in self-defence, or was it murder.

In a dark, dark house, a struggle ensues between Ray (Laurence Fishburne) and Haskell (Bill Irwin).   Ray subdues and cuffs him using regulation issue flex-cuffs.   (Important for later.)  He then cuts the cuffs and they go head-to-head.   Obviously Ray would come out the victor.   Before all this, Haskell taunts Ray saying he's killed many.   Ray doesn't want to shoot him.   Ray would beat Haskell up in that way, with such violence and rage; partly for himself and mostly for Gloria (Tracee Ellis Ross).   He knew how to play Ray and that's exactly what Ray did, he went for the taunts.   Haskell says they "share something special."   He assaulted Gloria, including torturing her and that got Ray's goat.   Brass (Paul Guilfoyle) had to arrive first at the scene, so he could help Ray.   That's why the camera focused on the cuffs which Ray left on the floor.   Brass advises Ray to refrain from speaking with anyone.

Greg (Eric Szmanda) and Sara (Jorga Fox) process the CS and the rest of the house.   Sara commenting serial killers "always go home." Greg adds that Arvin Thorpe, the farmer, (Raymond J Barry) was lying.   Brass: "He's still lying, face up."  Dry wit from Brass, he's in no mood to be funny though.  Brass insists Ray acted in self-defence.   IA will be working the case and they need to help Ray.  This could have been interpreted in two ways, either they help Ray since he's one of them, or they find the evidence vindicating Ray and proving it was murder.  Greg tells Sara that Ray "had more to fight for."  Not only in terms of trying to stay alive, but also fighting who he is inside.

Catherine (Marg Helgenberger) arrives at the hospital with Nick (George Eads) and she will process Gloria.   Nick would hug Ray, but he's evidence.  Nick tells him Ray saved her life and that's all that's important.   He notices white trace on Ray's hands and blood stains on his T-shirt.   Ecklie (Marc Vann) tells Brass he'll handle IA Det.  Schultz (Jay Karnes) and the process should be straightforward.   Greg and Sara measure the distance that Haskell fell from the banister.   Sara comments plenty of force would have been needed.  David (David Berman) finds a contusion on his back from the railing.   Greg mentions the GSW to Thorpe's head.   He was beaten and stabbed 13 times; indicating he was Vic number 13.   There should be blood from all four of them.

Catherine comforts Gloria, she survived and Haskel''s dead, so she beat him.   Gloria has the same white trace on her hands as Ray.  Haskell hooked her arms to the walls.   Greg finds the 9mm gun used on Thorpe and probably on Tina (Amanda Wyss) too.  Sara, they'll "let the walls talk." She finds large amounts of blood spatter on the walls, hidden beneath the wallpaper.  This was Haskell's room as a boy.   Sara: "Nate Haskell died in the house, but I think a serial killer was born in this room." She determines the first blood sample wasn't human but animal.  Nick surmises Thorpe knew what Haskell was doing, so Ray was more likely dealing with more than one killer.   Greg's done his research and tells Nick that this was Thorpe's main residence until 1976, then he brought the house across the road, so he didn't want anyone to know what was going on here.   Nick thinks the more bodies they find, the better it will be for Ray.

Gloria's mother, Nora Parkes (L Scott Caldwell) loses it with Ray and blames him for everything Gloria went through.  Determining whose blood was where and how much, Sara finds most of the blood belonged to Haskell.   Greg tries to make sense of it by saying Ray got some punches in but it doesn't mean he could have gotten Haskell under control.   Ray's shoeprints are in the blood, so he must have picked Haskell up.   Greg says he was fighting for his life.   Sara posits one man can dominate the other.  "We're looking for the truth here."  Outside, Nick, Hodges (Wallace Langham) and Henry (Jon Wellner) find pets in graves; which increase in size.   Hodges digs up human remains.   Ecklie gets dirty and helps out.

Catherine has to deal with Schultz, who'll get her report when it's finished.   He comments they've been through this before with Warrick (Gary Dourdan).  By the way, should they have even been on this case, since Ray's one of their own.   Doc Robbins (Robert David Hall) tells Catherine, Thorpe was the only justifiable murder as Haskell suffered childhood abuse.  He suffered blunt force traumas in a fist fight, you could "call it karma."  Also there are marks on Haskell's wrists from the cuffs.   None of the injuries will affect his final COD, which is what he also told Schultz.   Catherine advises Ray against looking at Gloria's SAE (Sexual Assault Exam) results.   Ray need to do this and he's clearly distraught and angry at the same time.

Hodges finds an adult male with a crushed skull in one of the graves wearing a Superlux logo on his overall.   Henry recalls his grandmother used to have a Superlux pink oven.   Greg shows Nick the Superlux mini-fridge.   The Vic was a salesman and his name was Douglas Nathan Haskell.   Missing since 1976.   Haskell took his name.   One remains belongs to Lois, Haskell's mother.   Thorpe beat and killed her.   Haskell used to hear everything that happened in his room, which was next to theirs.

Sara tells Catherine, from the blood evidence Ray dominated the fight.   Catherine says Ray should have cuffed him and the marks were from flex-cuffs, department issue.   They didn't find any at the scene, unless Ray cut them off.   Catherine decides they must "let the evidence speak, no cuffs present,  no cuffs used." Catherine visits Gloria in hospital wanting to ask her what happened; but changes her mind and asks how she is.   Mrs Parkes tells her Gloria made her dream to play music come true.   Ray was scared of having a baby with her because of what he'd pass onto the child.   That's why their marriage ended.

Sara checks Ray's kit and finds 3 cuffs.   Greg asks if she'd do the same if he were in Ray's place.   Sara explains they've 'all had their dark moment where they had to fight our way out and up to the rest of the team to shine a light on it.'  Sara needs to know what she's dealing with.   We know that Brass replaced the cuffs. Catherine confronts Brass as there was no mention of cuffs in his report.   Ray had all three in his kit.   Brass: "I look out for my team, how about you?"  Catherine already signed off on the report.   Brass has come a long way since season 1 and the Pilot episode and the second episode, when he berated  Warrick for getting Holly killed.   Brass also knows how to stock a kit, he was in charge of the team in the Pilot episode.   Then again there's always that line that isn't meant to be crossed and Brass has crossed it as far as Ray is concerned.   Understandable Haskell was a monster as everyone keeps saying, but was it up to him to watch out for Ray.   He hasn't known him that long and not as well as Doc and Nick.   Anyway did Ray even have his kit with him.   He went into the house alone, and it's not really procedure to carry cuffs with him on his person, but Ray did since he'd have to hold Haskell, if he got the chance.

Mrs Parkes apologizes to Ray, it's not for her to judge his actions.   Ray goes back to the house, where Brass admits he covered for him.   If Ray admits what he did to anyone, he'll be taking him down too.   Though he doesn't refer to himself by name.   Brass says he killed in self-defence and Ray says he did what he did for Gloria.   Ray finally giving in to his dark side which he's been rebelling against for years.   Flashback to what really transpired.  Ray beating up Haskell.   He's going to take Haskell's kidney like he took Ray's Then throws him over the banister.   Brass finds him at the house and wants what happened to stay between them.   Brass took the cuffs (as we know).   The white trace on both their hands was chalk from the floor.   Gloria was writing music on the floor.   Another flash to her playing The Swan by Saint-saens, on the cello.   She doesn't think it's appropriate music for their first date.   Ray: "The music saved her life."  Brass adds she knew Ray would come for her.

Doc Tells Ray he needs some reflection, that Haskell wanted him at the house to turn Ray into a helpless child, just like Haskell was.  Ray says Haskell saw Ray as his reflection.   Ray's father was on the other side of that wall, but Ray trained himself to be good.   Doc: "You are good."

Ray attends the IA interview saying, "fact is that I killed a man."   Schultz asks if it was self-defence or murder?

Now that Laurence Fishburne has left CSI, the writers have more leeway as to how they want to conclude this story next season.   Also Marg Helgenberger and Paul Guilfoyle were negotiating their contracts too, so if they do return it will be interesting to see how next season develops.   Especially Brass's relationship with Catherine, who is certain Brass had a hand in replacing the cuffs and removing the other cuffs from the house.   If Ray replies he murdered Haskell, then effectively he'll be taking Brass down with him.   They're kind of bound together in their pact, which wasn't really of Ray's choosing.

Well there was nothing more left than to see Ray go down the route he did, fate was written for him and he conceded to it, more so for Gloria.   That's not justification for turning into something he's fought against all his life.   His actions weren't right, but they were understandable.   If he had been an ordinary member of the public, self-defence wouldn't have to have been questioned so rigorously, since he 's a CSI, that line has been crossed by him.   As Doc reminds Catherine, he'd have done the same for his own wife.   Sara was the only one striving for the truth, aside from wanting Ray to be innocent, she was looking for evidence to prove this, not rely on friendship or instinct.   She was the only one doing her job.   Catherine wanted to but as she said they didn't have any evidence to prove it wasn't self-defence.   Catherine wasn't happy with Brass.

Greg wanted it to have been  a fair fight.   But that Ray got to overpower Haskell shows the difference in their physical stature.   Haskell remained the weak boy he always was, using drugs to subdue his victims and terrible torture to act out his childhood abuse onto them, before killing them.   Catherine says Ray could have cuffed Haskell and left it at that.

Catherine questioning Gloria, at least attempting to, was almost as if Gloria could tell her something to "save" Ray and prove the case of self-defence for him.   Nick, strangely, had to focus on the 'other' storyline: that of digging up Haskell's past.   Never giving up on Ray though and knows the more they find, the easier it will be to vindicate Ray.   Even Ecklie mucks in, which he hardly does, but he was on Ray's side too.   Maybe he's going soft in readiness for his daughter, Brody's (Elisabeth Harnois) arrival in season 12.

A shame Laurence Fishburne decided to leave and concentrate on movies, as there would have been a wealth of personal stories arising from the fall out.   At least there'll be no more Haskell, so it was good they ended that part of the story when they did.   Though Haskell will leave his mark and legacy on the entire team.   We'll have to wait for January 2012 in the UK for the new season!

Downton Abbey Series 4 Part 4 Review

                                             
Mary (Michelle Dockery) has set up the meeting with the tax people in London being accompanied by Branson (Allen Leech) and Rose (Lily James) wants to go too.  She'll try and work out a payment plan so they can pay off the tax over a period of time and reminds Robert (Hugh Bonneville) of how he says they're the caretaker of Downton and so that's what they're doing.  Cora (Elizabeth McGovern) telephones Rosamund (Samantha Bond) to ensure Tony Gillingham (Tom Cullen) gets an invite to her house too whilst Mary is there.

The doctor (David Robb) is planning on setting up a clinic and hopes Isobel (Penelope Wilton) can help out which she'll think about.  Edna (MyAnna Buring) confronts Branson about their one night stand and he apologizes for misbehaving since he was drunk but she wants more out of it and jumps to the conclusion that she might be pregnant in which case she wants reassurances that Branson will marry her and be a father to her child.   He thinks she's being premature and won't promise to marry her. Of course anyone knows what she had up her sleeve once she got his assurance she'd have found someone to have a baby with and pas sit off as his.  Thomas (Rob James-Collier) listens to them talking though he doesn't know what it's about.

Anna (Joanne Froggatt) is still avoiding Bates (Brendan Coyle) and at breakfast she sits down next to Green (Nigel Harman) at the table but Tony's leaving today and so will he.  It was rather off Anna having to sit next to her attacker and then with the others, Bates and Mrs Hughes (Phyllis Logan) talking about her hitting her head and cutting her lip, with Green still around.  She still hasn't told anyone especially not Bates as she still tells Mrs Hughes she doesn't want Bates to kill him and then watch him be hanged.  Mrs Hughes thinks he deserves to know and especially since she's cold towards him but says it's got nothing to do with Bates.  Mrs Hughes bringing up the question of what Anna will do if she's pregnant, to which she replies "I'll kill myself." Selfish attitude of course, then what does she think Bates will do when he finds out the truth later and take matters into his own hands.

At Rosamund's house, John Bullock (Andrew Alexander) is also there and wants them all to go to the Lotus club for dancing and a jazz band.  Rose jumps at the chance and Tony asks Mary so Branson is roped into it too.  John being called away whilst he had already started his game of cards and whiskey so he's drunk when they arrive there.  Making a spectacle of himself and Rose on the dancefloor, leaving Rose to be rescued by Jack Ross (Gary Carr) who takes over as her dance partner.  Though Rosamund is not too pleased with this and sends Branson over to get Rose away from him.  As Ross goes into a song about a "rose...by any other name..."  Rosamund isn't pleased with Rose and Ross cos she mentions him as a black singer.  Was it cos he was black or a singer or both?  Obviously it's not the done thing.

Everyone wants Mary to get together with Tony and he confesses his love for her and even asks her to marry him, otherwise he'll have to announce his engagement to Mabel Lane-Fox and with a name like that no wonder he doesn't want to marry her.   Tony comes down from London to stay the night and invites himself practically.  Anna being relieved he didn't bring Green with him.  She's asked Mrs Hughes if she can move back to the house since it will be easier for her.  Everyone's noticed Anna's attitude, even Cora but she fobs it all off.  To the point where Bate has to have a heart to heart with Robert who advises him that they love each other but all marriages have a rough period.  Bates doesn't know what the problem is which makes it harder to fix.

Mary's noticed Branson's been off too lately and suggests he should tell someone.  He wants to tell her but can't cos she's Sybil's sister and she won't like what he has to say and hate him for it so he confides in Mrs Hughes, as does everyone.  She'd make a fortune as a counsellor if it was the done thing in those days!  She helps him out by calling Edna's bluff after finding a Mary Stopes book in her room, yes she was rummaging through her belongings.  She tells Branson she's not pregnant cos she's been reading up on how not to be and if he'd agreed to marry her then she'd have found someone to have a baby with.  Mrs Hughes even going as far as telling her she'll tie her down and tear off her clothes so the doctor can examine her!  This causes Edna to leave in a huff claiming family troubles.  Yeah cos she wasn't in the family way herself, ha!

Thomas is relieved to see her go, thought they were buddies, as they exchange insults.  Even thought for a second she'd push him down the stairs in her fit of rage.  This means Anna has to be Cora's maid too which makes it even easier for her to move back here.  Glad to see the back of Edna, don't know why they even had her back!

It's no fun being downstairs either as Ivy (Cara Theobold) gets to cook and Daisy's (Sophie McShera) still pining over Alfred (Matt Milne) who's still piing over Ivy.  Alfred finds an ad for training at a school in London and wants to apply.  Though there's no guarantee they'll have him, Daisy's upset cos he might be leaving.  But Mrs Patmore (Lesley Nichol) tells her it's better if they part as friends instead of her love being unrequited when he doesn't feel the same way as her.

Alfred thinks Ivy might be interested in the training too and Daisy deliberately sends him to the boot room where he sees her kissing Jimmy (Ed Speleers). Who can't understand what the fuss is about cooking and does have dreams of his own, which involves drinking champagne and living the high life.

Edith (Laura Carmichael) is in London with Michael (Charles Edwards) who Robert likes now which is news to the Dowager (Maggie Smith) and Edith spends the night with him.  Then sneaks back late night when she's seen by Rosamund's maid.  She was careless especially since they just had that conversation about the servants leaving early and coming back at a certain time in the morning so everyone can get back to their own beds.  A story told to her by Cora and Robert, who of course were in their right beds already.  Rosamund is disappointed in her and tells her she'll regret what she's done in the future if not now, cos of the times they live in which may be changing but not for people like them.

Mary refuses Tony's proposal cos Matthew "still fills my brain" and he will for a while to come as we've been hearing about Matthew now for four weeks.  He doesn't want to let Mabel down so Mary tells him to go ahead and do what he must.  As he says something similar to Rosamund; that he's in the position where he has to marry.  Another repeat of the Matthew/Lavinia storyline, where he was engaged to her cos Mary kept putting him off and couldn't declare her feelings for him.  Although this time round Matthew is the cause of her rejection.  Which is understandable as she can't be expected to forget him already and move on with her life.  Isobel and the Dowager having a similar conversation earlier on about how Isobel doesn't want Mary to be sad and knows she will find someone else.

Glad Edna's gone but it seems Thomas is going to bring in someone else who will turn out to be another troublemaker like O'Brien, but can think of only furthering her own career and prospects.  As he tells Robert he has someone in mind to replace Edna, someone older, which Branson is pleased to hear.  Mrs Hughes gives Carson (Jim Carter) a framed photo of Alice so he will look at her and remember her, also showing he's human to the rest of the staff.  

Some choice words from Branson as he tells Edna "don't speak her name" when she mentions Sybil and also "There is nothing but regret in me," after what he did with Edna, it's no wonder.  Not to mention Mary and her reference to Edith as being "about as mysterious as a bucket."

Still there's no justice for Anna, as she refuses to go to the police still and not confide in anyone else, especially her husband.  She knows Bates yes, enough to keep going on about him jumping to murder as his first reaction to such news, but she doesn't give him the benefit of the doubt, that he will react in a less violent manner and seek to make things right for her first by being there for her and not judging her.  Mrs Hughes's line to Edna, which may have been a little funny, "I'll tear the clothes from your body and hold you down, if that's what it takes," could be seen as insensitive judging from the events of the last episode concerning Anna.  Also Mrs Hughes is aware it was Green from the look she gives him from afar when they're leaving.

Another line of wisdom from Mary as she tells Branson that someone else would have been ashamed of her too if she had been honest with them at the time, meaning when she told Matthew about her night with Mr Pamuk in series 1, but he didn't hold it against her.  Branson finding Mrs Hughes was the only one he could turn to and not be judged by her. Which is what everyone appears to be doing this ep.

CSI 11.21 "Cello and Goodbye" Review

                                         
Catherine receives a call regarding a DB found in LA, accompanied by Ray, they find Haskell has kidnapped Gloria. Leaving behind more clues for them to follow, will Ray save her in time? Catherine meets Ecklie's daughter.

Haskell is in the process of enjoying his baked Brie dessert, that looked revolting, akin to blood when he cut into it.   Gloria (Tracee Ellis-Rose) and Phil (Dean Norris) invite Haskell and Tina (Amanda Wyss) over and just completely trust two strangers.  Haskell drugs their drinks and catches a glimpse of himself in the mirror.   Ray (Laurence Fishburne) has nightmares.   Tina admires Gloria's ring.  Haskell asks how Gloria met Ray and attacks Phil.   Ray showers, as does Haskell, who washes the blood away.  We're meant to draw conclusions here in the sense this is something Ray will do when he goes in pursuit of Haskell.  Catherine (Marg Helgenberger) calls Ray about a DB found in LA.

SID called them in and Brody Morgan (Elisabeth Harnois) wanted them here.   Catherine asks her if she eats at her CS.   TOD is 48-72 hours.   He has sharp force wounds.   Ray explains that Phil was Haskell's eleventh Vic, even though he didn't stab him 12 times.   This is Vic number 12.  Flashes to Ray meeting Haskell for the first time in the season 9 episode.   There's a blood pool at the condo and it's a gory sight.   Ray immediately opens the parcel and finds a postcard of the Willoughby Observatory, with a message "You never forget your first time" written on the back, as well as Gloria's ring.   Greg (Eric Szmanda) has access to the surveillance footage of Gloria's garage and sees them coming home and Tina and Haskell leaving in their car.   They realize Haskell looks the same and Catherine admits she was wrong about him having surgery to his face.  Det Sosa (Danny Nucci) admits he was wrong about them wasting their time in LA.   Catherine assures Ray they'll find her.   Ray: "three days and three nights of heaven on earth and then just heaven."  Those were Haskell's words.   It's been 72 hours already so Ray believes Gloria is dead.   He can't do this and Catherine lets him return to Vegas.   Was that really what he wanted to do, did he just say that so he could search for Haskell on his own, or did he have a change of heart on the way to the airport.

Catherine calls in Sara (Jorga Fox).   Ray has a flashback to Haskell's first kill.  "You never forget your first" echoes throughout this episode.   Ray has officer Blake (Michael King) drive him to the airport, but Ray has  him stop at the bar, for a drink.   Think Ray changed his mind on his way to the airport which is why he uses the excuse of a drink to give Blake the slip.   Ray calls the only person he can talk to..."understand when I've done what I've had to do...only person I have ever loved is dead.   Only one thing left for me to do.   Goodbye Al."  Meaning go in pursuit of Haskell, and, or kill him.

Sara says they were drugged.   Catherine feels she knows Brody from somewhere.  The blood on the walls looks like high velocity spatter to Brody but she realizes their CS has been contaminated by flies, didn't Sara hear them buzzing.   Sara explains this is Haskell's MO: to kill the man and take the woman alive.   There's blood and tissue on the knife.   Phil was hit, strangled.   Brody's use of artistic language to describe the CS, "blood was the paint, body's the brush" and Haskell painted a Picasso.   Haskell wanted Ray to feel the horror.   Brody says Haskell wanted to get inside Ray's head, which we already know, he's been in his head for a while now.

Sosa tells Catherine Ray never got to the airport and cue Ray arming himself with a weapon and a laptop.  Ray looks at another postcard of the Observatory.   Catherine calls Nick (George Eads) "sounds like he's in a dark place."  Yes he is and not just inside his head, but also where he'll end up in the house at the end of the episode.   Haskell met Gloria and Phil at a benefit concert.   Catherine needs to know about the lore/history surrounding the Observatory, but Brody's only into science.   Sara reminds her they already have someone into both, i.e.  Greggie.   Willoughby J Willoughby was into money laundering, where he made his profits and he shot his wife in the head.   Catherine now gets the joke with the postcard and the ring and tells them Haskell wanted Ray to play.   Telling Greg to "work your magic." Ray is also working his magic and follows Tina to a hotel.

Nick tells Sosa there are some CSIs left in Vegas.   They find Tina dead; shot once in the head and once in the leg, as well as being beaten.   Tickets are scattered about with the same message: "You never forget your first."  Brody e-mails Nick a copy of the ticket.  Catherine recalls she's Ecklie's (Marc Vann) daughter.   She took her step-father's name.   Brody processed the hotel room and finds DNA belonging to an unknown African-American.   Catherine still posits Ray isn't armed and that providing DNA isn't compulsory.   Sara also defends Ray as not being a murderer.   Nick finds Ray and waits for him in his room.   He pinged his cell to track him down.   Nick: "I'm part hound dog."  He's here to help and he knows Ray didn't kill Tina.   Cos Ray wouldn't just suddenly change his character completely and become who he was fighting against becoming all those years and do something out of the ordinary.  It's obvious Haskell would have killed Tina, you know, it's her own fault, not like she didn't know that was coming after everything he's done and who he is.

Ray tells him the blood on the ticket was Gloria's.   Haskell wanted Ray to find her.   Nick tells him Haskell is turning Ray into a fugitive and is leaving them clues.   He's been doing that since the last episode.   Nick calls the lab and Hodges (Wallace Langham) wants to know if he's found Ray.   As his Dirty Harry "antic can reflect badly" on the team.   Greg identifies the tickets to Santa Monica Pier, prompting Ray to recall his first date with Gloria in Baltimore was at the carousel.   Haskell turns up and says this is their first, unchaperoned date, but Ray's brought Nick and Haskell escapes.   Nick is arrested for flaunting his gun in public, ha.   Nick: "I'm not getting on my knees."  Before his escape Haskell warns Ray if he shoots him then he'll kill Gloria too.   But Ray located Gloria without Haskell leading him there.

Ray tells Sosa he doesn't know why Haskell didn't shoot him, but he took the gun from a mugger.   Catherine sends Ray home and very much plays the boss here, putting her foot down.   Telling Nick she sent him to find him, not "cowboy up on some vigilante mission." She can understand Ray doing that but not Nicky.   Who still insists they'll get Haskell.   Sara analyzes the beach sand from Gloria's condo, probably sand from construction, such as sand blasting.   Brody: "rings of a tree give up its history" and so will the layers of the paint chips.

Doc Robbins (Robert David Hall) picks Ray up at the airport, he'd have been here even if Catherine didn't tell him to come.    He believes Haskell wanted to hurt Ray not kill him.   Ray uses Hodges' passkey to access the computer at work, or he threatens to go "all Dirty Harry" on him.   Greg knows about Willoughby and tells him he donated land to LA and was a bigamist, shooting his first wife, who survived, witnessed by his second wife and his seven year old son, Arvin.   His first wife was in a psychiatric hospital in LA and his son lived with his uncle.   His wife's maiden name was Thorpe and was from Nessus, Nevada.   That's why last week's episode was set there, most of it anyway.   That's where Gloria is.   Ray goes through the Nessus school yearbooks and finds Warren Thorpe in one from 1976.   Haskell is Thorpe's son and he kills him.   Catherine and Nick don't find anything at the hospital, but a note, "Made you look."  Ray finds Gloria still alive at the house and Haskell holds a gun to him.   So Ray will end up shooting him in self-defence and Gloria may be too traumatized to say anything.

Oh well, guess all those clues from last week were for the benefit of viewers, never mind, aside from farmer Thorpe (Raymond J Barry) who else would refer to his son as "squirrely-looking."   - Only a father, I'd have gone for weasel.   That was the part about the bandages when I said Haskell wasn't fully bandaged and Thorpe gave an accurate description of Haskell, which if everyone had been paying attention would have shown he didn't have surgery done.   There had to have been some sort of connection to the farm and this wasn't Tina, as Thorpe appeared to have misled them.   Didn't Thorpe recognize his own son until he killed him.

The call Ray made to Doc could just as well have been to Heather (Melinda Clarke) since he confided in her, but it was a nice change to see it was someone much closer to home, as they have developed a close friendship with Doc, who plays the call for Nick, with whom Ray also shares a special friendship and good to see Ray asking Nick if he's "got his back."  He didn't really have to ask as Nick would be there for him, he found him after all, just as Nick would be there for any other CSI too.

Brody is added as a permanent  character in season 12, which is good to see, at least she's someone watchable and not smug.   No need to say who I mean, from CSI:NY show!  She's an expert too on insects it seems and happens to be estranged from her father, Ecklie, in the same way as Brass's (Paul Guilfoyle) daughter, Ellie.

Funny moment when the team, almost all of them, arrived in LA, pointed out by Sosa.   Didn't have to venture far as the show is mostly filmed there.   Willoughby J Willoughby killed his first wife, well attempted to and it's not revealed until later he had a second wife and a child.   This must have been an allusion to Haskell killing Tina, shooting her in the head.   Although she wasn't his first wife, or any sort of wife.   Of course Ray wouldn't have killed Tina, he'd be giving in to the darkness inside of him and he's not a killer - he's a doctor, one reason why he told this to Heather in Unleashed, he wanted to save lives, not take them.

There are numerous flashbacks to past episodes to keep the Haskell story in perspective and to remind us this vile man is nothing but a killer and that he was named the Dick and Jane killer on the basis of this and met with Ray back in season 9, 19 Down for this specific reason.   Reference also to the number of stab wounds which mirrors the order in which Haskell's Vics were killed.   Phil being number 12 and Ray being the eleventh in the episode Meat Jekyll.   Greg getting involved in research for Willoughby, that's his forte (and maybe I shouldn't say this, but no mention of his book either.)

Haskell leaving the bodies at the farm (it wasn't a body farm, bad pun) was another clue for Ray, that we also missed, he was telling Ray who he really was and where and how it all started, with his grandfather, Willoughby.   Willoughby J Willoughby was based on Griffith J Griffith, a Welsh-American industrialist, who donated land to LA - known as Griffith Park and left money in his will to build the Griffith Observatory in 1935 and the Greek Theatre, also located in the park.  He shot his wife in 1903 in the Hotel Arcadia and served two years in prison.   She survived, but was disfigured.

In CSI episode Eleven Angry Jurors, Nick uses tree rings to solve a crime and here Brody mentions tree rings too.   Paint chips to tell the history of a building have been used in many CSI episodes and most recently in the season 7 CSI:NY episode The Untouchable.

Danny Nucci was in the CSI:NY episode Vacation Getaway.   Michael King playing another police officer here after his stint in CSI:NY episode 3.8 Consequences, where he played a corrupt officer,  Det Dean Truby, part of Flack's (Eddie Cahill) team.

Scandal 2.15 "Boom Goes the Dynamite" Review

                                                        
David (Joshua Malina) leaves the school where he's teaching and drops his papers, thinking he's being followed.  He rushes straight over to Olivia's (Kerry Washington) where Harrison (Columbus Short) thinks they're after Wendy's flashdrive and so won't hesitate to k.., David finishes for him, kill him.  He hasn't seen anyone but has a feeling.  Olivia sends Huck (Guillermo Diaz) to watch him and Huck by now is reeking. Obviously it's cos of his waterboarding torture which makes him have an aversion to the water, or as he tells Quinn (Katie Lowes) at the end when she confronts him about it, it's the rain and when it stops raining he'll be fine.  Yeah cos this is Washington, the sunshine state!

Olivia meets Jake (Scott Foley) at the restaurant which he doesn't like at all cos he can't have a date here. He takes the wine and they leave, ending up at the Jefferson Memorial.  She calls it  a meeting, he insists on date.  She wants to ask about him Albatross.  Wendy knew about it so she must have told him too.  He will answer but then they'll go back to their date.  He tells her it's about State Department documents being sold to Tehran and some dead man did it.

Mellie (Bellamy Young) thinks Fitz (Tony Goldwyn) is drinking too much cos he's not sleeping and she has him under her thumb for now.  She leaves for bed and he has a visitor in the middle of the night.  All so mysterious until we find out it's Jake.  He seems to know Fitz very well as they reminisces as they name drop other friends they knew.  We get the big reveal that it was Fitz who wants Jake to watch Olivia.  Gotta wonder why.  It's gone from photo surveillance to full blown video surveillance but he won't tell Jake why, even when he tries to pry.  He just tells him she's no good.  Well Jake is learning all about Olivia for himself since 'dating' her isn't in his brief.  Though right about now even Jake can't put two and two together and figure out the real extent of their 'relationship' and how far the animosity goes.  I call it animosity cos it's a love/hate relationship as far as Fitz and Olivia are concerned.

Olivia has a new client, the Caldwell, a political dynasty, Peter (Eric Mabius) wants their youngest, Will (Sam Page) elected as governor of North Carolina.  To do this Olivia tells him he needs a wife but everyone thinks he's gay cos he hasn't seen anyone for ten years.  He denies being gay but anyone could see it's cos of his feelings for his sister in law, Marion (Lisa Sheridan) and vice versa.  Yes it was one of those stories which will be close to Olivia's heart, least so cos she's going through the exact same thing.  Broken heart, lost love nothing will come of it.  So they need to find Will a wife.

In a quiet moment, quiet, ha, Abby (Darby Stanchfield) gets it on with David again on the desk which appears to be Olivia's office, I wasn't looking, ha.  But they do that again in the car later on, David's car, saw that, ha, and she tells him it doesn't mean anything.  The terrorists send the Whitehouse a video showing one of the hostages being beheaded which Mellie is privy to, as is Cyrus (Jeff Perry) and Cyrus knows they must launch a drone strike and show strength.  Fitz agrees to do this and later tells his other staff that it was Mellie's idea, "blood for blood."  Mellie thinks she should speak with the families to tell them they're negotiating behind the scenes.  Cyrus hates being left out in the cold but obviously Fitz seems to be relishing it.  Also he confides his feelings to Olivia and hates how Mellie is getting in on the act and his job. Olivia thinks he should just let her be Mellie cos sooner or later she'll put a foot wrong and then Cyrus will step in.

Jake watches Olivia be unhappy in her bedroom in her robe and calls her.  She undresses but at least he had the decency to turn the camera off, thus far!  Mellie thinks she should talk to the families, a conference call, and tell them what they're doing.  Cyrus gets his own back as he blabs to a reporter that she should call in too.  This gets leaked obviously and Fitz isn't too happy.  Mellie is summoned which she enjoys and is told off about going behind his back giving out military info to civillians.  Meanwhile Abby tells the potential wife of Will about what she'll be getting into with the family and clearly she puts her off.  Thus they go for the second choice.

Olivia is invited to the fundraiser and learns Fitz will be there too.  Harrison calls to tell her one of the candidates leaked the story to the press and she wants him to handle it.  Which he does by telling the reporter he can have the entire story instead of just this one breaking news one.  Fitz makes his speech endorsing Will as candidate and watches Olivia who doesn't seem to be interested in him, as she gets a call from Jake and Harrison, he tells her the story is handled and Jake, calling him Henderson, thinks he's Olivia's man.  Yeah right.  Anyway Jake wants a second date and she's really happy which Fitz picks up on from afar.

Olivia realizes Will has feelings for Marion, took her time cos if she was on the ball, she'd have picked it up sooner, like the first time we're shown her.  She sees the two of them together and tells him to end it, giving him a speech about how Peter loves her, will never leave her, they have children, celebrate anniversaries whilst he has nothing.  He should end it and make his own life.  Easier said than don as she's the voice of experience. Olivia finds out Peter already knew about the two of them, but family comes first.   Fitz summons Jake again and asks if Olivia is seeing a man.  He lies and tells her there's no man involved.  I want to see how long this lie lasts and does Jake really think he can keep seeing Olivia without Fitz finding out.

Didn't know whether to be happy or not, in a sly way, the way in which Jake pulled the wool over Fitz's eyes he kind of deserves it for everything he's done to Olivia really.  I mean everything like having her at his beck and call and then just dropping her like that cos his what, pride is hurt amongst other things.  Instead of confronting her and Cyrus and the others about the vote rigging he just plays them.  Of course they know he knows but he should face it like a man too.

The other aspect of the episode is that a woman named Molly (Mageina Tova) comes forward.  She's been following David cos she knows who killed Wendy.  She saw him having a fight at her house and she knows he knows too.  Olivia gets Huck to find if there's any footage at her house.  Huck manages to unencrypt one of Wendy's files and Olivia is surprised too when she sees it.  Also Grayden Osborne (Kurt Fuller) tells Fitz that he's done a thorough check and the mole isn't in the CIA or any of the other agencies.  That's cos it's you.  That much was obvious.  Seems Fitz is no longer running a tight ship, especially after being shot seems like everyone's crawling out of the woodwork.  Cos lo and behold, Molly IDs Osborne as the man who argued with Wendy as he appears on the TV.  Small world is Washington.  And there was Kashfar bounded again over and over.

Some choice lines from Jake this ep, such as " I can never get used to calling you President."  "Who would have thought you would be here?"  Kind of harks back to that whole vote rigging again.  I know that was dealt with but looks like Fitz wasn't capable of achieving or amounting to much on his own.  Mellie said that, his own father said that too, and now Jake is saying it.  Though hopefully we get some more reveals on how well they know each other and from where.  Aside from the navy it looks like, since Fitz was in the navy too. Maybe Jake harbours a little resentment towards Fitz and so is happy to 'mess' around with Olivia on the side.  Kind of implying he may have an inkling that this is personal for Fitz.  Only an inkling.  But still can't help but get shivers when thinking none of Olivia's conversations are private any longer.  Shame they don't don't talk about private stuff anymore.  Though Cyrus does mention their feelings about Mellie.

Love Olivia's white dress, you know she's not going to get up to any hanky-panky by the sorts of clothes she wears, no short skirts here, or any skirt and this dress was too tight! ha.  Though have to see what she wears with Jake!  Enjoyed this ep, Scandal hotting up as it hasn't of late, especially with the Defiance eps!